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Episode III
(Act III)

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IN BRUSSELS

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What happened?

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Schneider...

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What happened?

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What do you know?

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Everything, I think.

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They don't have him.

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They don't have him yet.
The professor is safe, but...

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They don't have him, Casterman.

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No.

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That was your job, Casterman.

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The professor...
That was what we had agreed.

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What went wrong?

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What is it that went wrong?

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Here we go. Pay attention.

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We are doing everything wrong,
It's too early.

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We will mess it all up.

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There it is. That's the van.

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Here we come. Stay alert.

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Did you see him?

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Yes...

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- Did you see him or not?
- I think I did.

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You think? Did you, or didn't you?

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I don't know... I thought I saw him.
You went by too fast.

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What do you mean too fast?
Did you see him or not?

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Was he there or not?

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I don't know.

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I thought I saw the girl alone,
but maybe there was someone else.

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What do you mean "maybe"?

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Did you see him or not?

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The only thing you had to do
was to tell if he was there or not.

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The only thing you had to do.

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I don't know.
I think it was just the girl...

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You went by too fast...

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What are you doing?

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I'm going back. Can't you see?

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What are you doing?

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What are you doing?

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What am I doing?

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I'm doing your job.

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Have you lost your mind?
They told us not to go back!

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They told us not to go back
under any circumstances!

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You will screw it all up!

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You've already screwed it all up.

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You just had to say
if he was there or not.

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That was all we had to do.

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I won't go back without knowing
if he was there or not.

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I will not look like an idiot.

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They told us not to go back.
"Whatever happens, don't go back."

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I can't believe it.

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They told us "whatever happens,
don't go back." I can't believe it.

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My God. This is a mistake.

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Tell me, Casterman. What went wrong?

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I don't know.

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I need the professor, Casterman.

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The professor is safe.
I can assure you that...

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I will send my man.

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I will send my man, Casterman.

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I'm really sorry.

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Schneider.

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That's all. Please,
don't let your women intervene.

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Good bye.

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Tell Kurt to get ready.

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Hello?

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IN SOUTH AMERICA

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It's fine. Don't worry...

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I told you not to worry.

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We won't go...
We won't go...

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We will stay here until you tell us...
Right here...

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Yes, I promise.

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We're leaving. Now.

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Where?

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To work.

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Come on, we have little time.

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Something unexpected has come up.

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Hurry up!

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Are you okay, Fox?

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Yes.

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Are you sure you are okay?

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Yes. I'm fine...

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Hurry up, then.

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THREE HOURS BEFORE

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THEY COME

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TO KILL THEM

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You don't sleep?

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I'm asking why you don't sleep.

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You don't sleep?

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And why are they after you so badly?

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What have you done?

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Why are they after you?

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Are you one of the good guys
or the bad ones?

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I mean, why are they after you.

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Why are they after you?

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And are you married?

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If you have a wife.

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Is she pretty?

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Is she pretty?

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Me? If I am married?

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No, my friend...

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Me, married?

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No, no, no...

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THE ASSASSINS

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He was scrawny, tall and silent,

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and he always seemed quiet,

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and he was always attentive.

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When she saw his photo in the file,
she thought he was attractive.

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One of the girls in Personnel
told him:

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Think of James Bond.
A sort of James Bond.

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But it wasn't true,
he was not like James Bond.

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James Bond attracted attention
everywhere he went,

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on the contrary,
he liked being invisible.

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He was a subtle, even elegant person

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and she never heard him
raise his voice,

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or curse, or insult anyone.

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James Bond speeded around
in sports cars

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and did skiing and drove motorboats.

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He could do all those things too,
but always as an obligation.

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He would've never thought
of running a race

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with a girl in the Monte Carlo bends,
for example.

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In everything he did he was sober,

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and it was always clear that for him
all that nonsense was just work.

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James Bond was all the time
drinking his famous Martinis,

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or popping open bottles
of French champagne,

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or stuff like that.
He, on the contrary,

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had been seen having
a drink only a few times,

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and when he drank,
he always stopped in time,

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never continued.

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The same with women. Nothing.

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He was shy and distant, almost a monk.

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He was a tad melancholic,
and it always seemed like

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he was thinking of something else,
reflecting,

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and if there was something
you could not say about Bond,

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was that he was a thinker.

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In all the time they shared,
only at the end could she see

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that in fact
he was a loving and sweet guy,

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and that he was not a holy man,

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or a robot remotely controlled
by some NASA expert.

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When she discovered it, it was late,
there was nothing that could be done,

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and her head had a price
in half of the countries in Europe,

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and he was dead.

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In that time,
the world was divided in two,

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and the two sides claimed to be right,

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and said that if they won,
everything would be better,

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and everyone
would be happier and freer.

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And both sides had their assassins.

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They had fallen in with the good ones.

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The famous "Free World";
the decent half of the world.

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They both killed Communists
so that people in the old Europe

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could keep wearing blue jeans
and Mickey Mouse t-shirts,

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so that they could keep seeing
naked women in the Playboy magazine,

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so they could go dancing to discos
and chew bubble-gum

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and, above all, so that some
could become millionaires

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selling cigarettes, or tyres, or soap,
or screws.

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They both killed people for that.

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That was, in the end,
their free world.

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But none of them thought about that,
and neither should we,

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because this is not the time
to discuss politics

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but a love story
between two assassins.

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One of those stories
in which two colleagues,

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or two friends spend
all their time together,

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and the whole world thinks
they are in love, but them.

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That sort of story,
but with assassins.

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That sort of story where you see
the two of them and think:

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Sooner or later
they will end up together.

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Sooner or later, they will realize.

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But time goes by, and life goes on,
and they act like nothing happened,

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and little by little,
without noticing,

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they start drifting apart,

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and it's getting too late,
and suddenly they lose it,

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and maybe, later in time one of them
starts thinking and realizes,

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or maybe not even that
and the matter is lost,

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inevitably,
as if it had never existed,

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and the world turns the page,
and on to something else.

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That, but with assassins.

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The first time they worked together
was in Bulgaria, in 1975 or 1976.

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The 301 was Amanda and he was Angel.

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The job was to get rid
of a Lebanese banker

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who financed some sort
of nationalist movement.

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The first scene is in an airport,

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and there will be many more
in airports.

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Never big airports,
crammed with agents,

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with people watching and informing.

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Always minor airports,
in small cities,

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where nobody cares too much
about anything.

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In one of those provincial airports,

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they saw each other
for the first time.

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She arrived first
and went to wait for him.

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She had never seen a picture of him,
or anything.

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"There's no need," they told her.

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"He will be wearing a raincoat,
you'll recognize him."

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Aeroflot announces the arrival of its
flight 222 from Sarajevo through door 3.

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Aeroflot announces the arrival of its
flight 222 from Sarajevo through door 3.

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VOLGOGRAD PRAVDA

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IN THE CENTRAL COMMITTEE OF THE CPSU
AND THE COUNCIL OF MINISTERS OF THE USSR

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They were supposed
to be a couple of newlyweds,

197
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and he was an international
insurance broker,

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or something of the sort.

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They spent the whole day
all lovey-dovey,

200
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kissing, touring around

201
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until the spies got bored
of following them.

202
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They went to see the Black Sea,
they went to the history museum,

203
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to the Revolution museum,

204
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visited the antique shops
and the old market.

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They spent a long while looking
at the street musicians

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at the Cathedral's entrance

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and they took a picture
with the gypsy organ player

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and his monkey,

209
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who gave him a lucky card
and a flower for her.

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When the sun set, a horse carriage
took them to the hotel

211
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where they had booked their rooms.

212
00:26:15,000 --> 00:26:17,790
The concierge told them
the rooms were not ready,

213
00:26:17,880 --> 00:26:19,470
that they could wait downstairs

214
00:26:19,560 --> 00:26:22,590
and that the hotel would gladly
take care of their luggage

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while they finished cleaning them.

216
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They did as told,

217
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and while the spies
searched their suitcases,

218
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they got drunk with cheap champagne
in the dining hall,

219
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where they had prepared
a warm welcome for them.

220
00:26:54,720 --> 00:26:56,790
They stayed there
until past midnight,

221
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sharing secrets, short poems,

222
00:26:59,720 --> 00:27:03,030
risqué verses
and intimate confessions.

223
00:27:03,160 --> 00:27:06,270
When they noticed the spies
were more tired than them,

224
00:27:06,360 --> 00:27:07,950
they went upstairs.

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BRIDAL SUITES

226
00:28:25,090 --> 00:28:28,720
DO NOT DISTURB
RECENTLY MARRIED

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I'm wiped...

228
00:29:12,200 --> 00:29:14,150
I want to take a shower.

229
00:29:14,240 --> 00:29:15,470
Are you coming?

230
00:29:21,920 --> 00:29:24,070
No, honey... I'm too tired...

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JULIUS CAESAR
HOTEL

232
00:30:53,810 --> 00:30:55,640
I really needed this.

233
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It will be good for you, love.

234
00:31:02,530 --> 00:31:04,880
I can't believe that this very morning

235
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I was in that filthy office
in Istanbul

236
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and that now I'm here with you.

237
00:31:09,490 --> 00:31:12,720
Yes, love... We have a whole
long week for ourselves.

238
00:31:14,610 --> 00:31:17,040
Did you check
our reservations in Varna?

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00:31:17,130 --> 00:31:19,000
I asked Pavel to do it.

240
00:31:19,930 --> 00:31:21,840
He told me not to worry.

241
00:31:25,810 --> 00:31:27,520
I don't trust Pavel.

242
00:31:27,730 --> 00:31:31,160
He thinks he does everything right,
and he does everything wrong.

243
00:32:12,250 --> 00:32:15,560
But, honey,
he said everything was right.

244
00:32:15,730 --> 00:32:18,360
301 played along for several minutes.

245
00:32:18,850 --> 00:32:21,880
When the comedy was about to end,
he came back.

246
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They looked at each other.

247
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Everything had gone smoothly.

248
00:32:26,050 --> 00:32:28,560
I'm wiped... I need to lie down...

249
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He threw himself onto the bed
and fell asleep on the spot.

250
00:33:12,650 --> 00:33:14,920
She couldn't sleep a wink.

251
00:33:15,490 --> 00:33:17,320
She just lied there, still,

252
00:33:17,410 --> 00:33:20,440
watching him sleep
as if nothing had happened.

253
00:33:21,130 --> 00:33:23,760
The following morning,
they left the room,

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he took her to a little harbor
where her contact was waiting,

255
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kissed her on the cheek
and disappeared.

256
00:34:02,190 --> 00:34:04,760
From that day on,
they always worked together.

257
00:34:06,370 --> 00:34:10,320
Once or twice a year, not more,
three times at the most.

258
00:34:16,770 --> 00:34:21,560
In 1978 they killed
a communist diplomat in Stockholm.

259
00:34:33,930 --> 00:34:35,720
In 1980, in the Alps,

260
00:34:35,770 --> 00:34:38,520
they blew up the vehicle
of a couple from the ETA.

261
00:34:47,690 --> 00:34:51,000
In 1981 they strangled
another one in Budapest.

262
00:35:04,410 --> 00:35:08,080
That same year, in Kiev,
they shot an English man in the head

263
00:35:08,130 --> 00:35:10,960
because he had defected,
or was about to defect,

264
00:35:11,050 --> 00:35:14,680
or someone thought
was about to defect.

265
00:35:30,530 --> 00:35:34,520
It was always the same number:
the happy newlywed couple.

266
00:35:34,610 --> 00:35:37,880
The provincial airport,
the cuddling, the hotel room.

267
00:35:38,650 --> 00:35:42,960
301 kept getting her name changed,
but he was always "Angel".

268
00:35:50,130 --> 00:35:54,040
Neither of them clearly remembered
how many people they had killed.

269
00:35:54,130 --> 00:35:56,400
There were many,
and all of them different,

270
00:35:56,530 --> 00:35:58,960
so that they became muddled

271
00:35:59,050 --> 00:36:01,800
like the women
in the memory of a Don Juan.

272
00:36:02,890 --> 00:36:04,760
They knew each other by heart,

273
00:36:04,850 --> 00:36:08,000
and sometimes one uttered
what the other was about to say,

274
00:36:08,090 --> 00:36:09,480
using the same words.

275
00:36:09,610 --> 00:36:12,200
They didn't allow themselves
to be affectionate,

276
00:36:12,290 --> 00:36:16,080
and neither of them thought
there could be something between them.

277
00:36:16,130 --> 00:36:18,680
There simply was no space for that.

278
00:36:18,930 --> 00:36:22,720
It was something
confined to that first night.

279
00:36:22,770 --> 00:36:24,440
Those were the rules:

280
00:36:24,530 --> 00:36:28,440
romance during the day,
nothing during the night.

281
00:36:34,530 --> 00:36:37,160
She had understood that
from the very first moment,

282
00:36:37,210 --> 00:36:40,800
from the first kiss,
and even from the first airport.

283
00:36:40,890 --> 00:36:43,160
The man beside her was no Casanova.

284
00:36:43,290 --> 00:36:46,000
He was rather an accountant,
a clerical worker.

285
00:36:46,050 --> 00:36:49,040
Land, kiss, kill and go back home.

286
00:36:56,530 --> 00:36:58,240
Once, at the beginning,

287
00:36:58,330 --> 00:37:01,680
she thought,
"does he find me attractive?

288
00:37:01,770 --> 00:37:05,080
"Does he have blood in his veins,
this damn android?"

289
00:37:05,170 --> 00:37:08,280
But right away,
she thought "Watch it, girl.

290
00:37:08,590 --> 00:37:10,590
"Get that nonsense out of your head.

291
00:37:10,830 --> 00:37:13,790
"You are not sixteen anymore,
and this is a dangerous game.

292
00:37:14,430 --> 00:37:16,990
"So, you'd better roll over
and start counting sheep."

293
00:37:19,180 --> 00:37:21,680
With time, those questions vanished,

294
00:37:21,920 --> 00:37:24,300
and she often fell asleep before he did.

295
00:37:24,890 --> 00:37:28,150
Actually, they fell asleep together,

296
00:37:28,270 --> 00:37:30,280
like little siblings

297
00:37:30,410 --> 00:37:32,280
or like two old people.

298
00:37:54,970 --> 00:37:59,280
But there was a year, 1980 or '81,
when everything changed.

299
00:38:07,850 --> 00:38:10,600
She arrived several days ahead,

300
00:38:10,690 --> 00:38:13,760
and there was no one
waiting for her at the airport.

301
00:38:14,290 --> 00:38:18,000
She spent several days by herself,
gathering intel.

302
00:38:18,370 --> 00:38:21,720
This was not Eastern Europe either,
it was in the tropics,

303
00:38:21,770 --> 00:38:24,080
in an old French colony
in the Caribbean.

304
00:38:24,170 --> 00:38:26,760
And when her partner finally arrived,

305
00:38:26,850 --> 00:38:29,280
it was not Angel,

306
00:38:29,410 --> 00:38:31,160
it was Mac the Knife.

307
00:38:52,770 --> 00:38:55,040
Mac the Knife was a star.

308
00:38:55,130 --> 00:38:58,760
He was German or French,
from Alsace or Lorraine, who knows.

309
00:38:58,810 --> 00:39:01,440
He was one of the most famous
assassins in the world.

310
00:39:07,530 --> 00:39:10,240
Haughty, arrogant, full of himself.

311
00:39:10,330 --> 00:39:12,520
He had an unparalleled reputation.

312
00:39:12,610 --> 00:39:13,880
Extremely expensive.

313
00:39:13,970 --> 00:39:16,720
And he was also a famous heartbreaker

314
00:39:16,770 --> 00:39:20,320
of whom it was said had slept
with presidents' wives

315
00:39:20,410 --> 00:39:22,520
and no less than five queens.

316
00:39:22,650 --> 00:39:23,960
He was a legend.

317
00:39:24,210 --> 00:39:27,760
The girls in Personnel
pined for him like teenagers.

318
00:39:28,050 --> 00:39:29,870
And were it
not classified information,

319
00:39:30,030 --> 00:39:32,290
they would have kept a picture of him
on their desks,

320
00:39:32,400 --> 00:39:33,960
as if he were Julio Iglesias.

321
00:39:35,010 --> 00:39:37,400
And now they had assigned him to her.

322
00:39:37,520 --> 00:39:39,640
She was the envy of all the girls.

323
00:39:39,730 --> 00:39:41,680
She had been assigned Mac the Knife.

324
00:39:44,970 --> 00:39:47,280
The script
was different too this time.

325
00:39:48,090 --> 00:39:49,920
There were no newlyweds.

326
00:39:50,010 --> 00:39:51,880
They had to kill a man named Bobó,

327
00:39:51,970 --> 00:39:54,200
an African revolutionary
who prided himself

328
00:39:54,330 --> 00:39:58,080
on killing more blacks than Mobuto
and more Europeans than Amin.

329
00:39:58,370 --> 00:40:01,480
301 was a journalist
from France Press.

330
00:40:01,570 --> 00:40:04,960
Bobó had seen her at a party
and had wanted to meet her.

331
00:40:05,050 --> 00:40:07,240
They had arranged
an interview at the embassy

332
00:40:07,370 --> 00:40:09,280
where Bobó had been granted asylum.

333
00:40:09,370 --> 00:40:11,720
And he was anxiously expecting her,
all perfumed up,

334
00:40:11,770 --> 00:40:14,080
wearing his best dress suit.

335
00:41:49,490 --> 00:41:53,400
That night they slept together,
and of course Mac the Knife,

336
00:41:53,490 --> 00:41:56,120
offered a performance
for the annals of history.

337
00:42:01,590 --> 00:42:03,340
But the following morning,

338
00:42:03,430 --> 00:42:05,980
301 looked at that stupid blond

339
00:42:06,030 --> 00:42:08,460
with whom she had had sex for hours

340
00:42:08,590 --> 00:42:10,500
and found him repulsive.

341
00:42:10,870 --> 00:42:13,220
She thought, "What am I doing here?

342
00:42:13,350 --> 00:42:15,020
"I don't want to be here.

343
00:42:15,110 --> 00:42:17,420
"I don't want to be with this clown.

344
00:42:17,510 --> 00:42:19,620
"I wish the earth would swallow him,

345
00:42:19,710 --> 00:42:24,540
"I wish the Russians would kidnap him
and take him to the Moscow Circus,

346
00:42:24,590 --> 00:42:27,220
"to caper with the acrobats
and the dancing bears.

347
00:42:27,310 --> 00:42:31,500
"I want to get out of here.
I just want to get out of here."

348
00:42:31,590 --> 00:42:32,940
That's what she thought.

349
00:42:33,030 --> 00:42:36,740
But what she didn't think,
or didn't dare to think was:

350
00:42:36,830 --> 00:42:39,620
"I don't want to be here.
I want to be with him.

351
00:42:39,710 --> 00:42:41,340
"I want to be with Angel.

352
00:42:41,430 --> 00:42:45,860
"Where are you, you apathetic sissy?
Why have you ditched me?

353
00:42:45,950 --> 00:42:49,180
"We were supposed to be a duo.

354
00:42:49,870 --> 00:42:53,180
"What is this superhero
they have sent in your place?

355
00:42:53,310 --> 00:42:56,540
"Where are you?
I want to see you, partner.

356
00:42:57,110 --> 00:42:58,380
"I miss you."

357
00:43:05,480 --> 00:43:07,250
The next time was awkward.

358
00:43:07,860 --> 00:43:10,050
When she got to the airport,
she was wondering:

359
00:43:10,390 --> 00:43:12,320
"Who's gonna come? Will he come?"

360
00:43:13,430 --> 00:43:16,180
When she saw him, she felt
like smiling at him and hugging him

361
00:43:16,270 --> 00:43:17,820
but she didn't.

362
00:43:18,150 --> 00:43:21,420
Everything was different,
from the get-go.

363
00:43:21,510 --> 00:43:23,700
They didn't have to pretend
being husband and wife.

364
00:43:23,790 --> 00:43:27,580
This time they were colleagues,
they didn't sleep together.

365
00:43:27,630 --> 00:43:30,900
So they spent the whole day together,
waiting, pretending

366
00:43:30,990 --> 00:43:34,100
to be two decent
well-thinking Europeans.

367
00:43:34,230 --> 00:43:36,189
She noticed there was something off
about him,

368
00:43:36,190 --> 00:43:37,500
something was happening to him.

369
00:43:37,590 --> 00:43:42,140
He was nervous, made jokes,
couldn't look her in the eye.

370
00:43:42,230 --> 00:43:46,940
At one point,
she would even have sworn he blushed.

371
00:43:46,990 --> 00:43:50,540
Something,
something imperceptible had changed.

372
00:43:50,590 --> 00:43:52,660
"Is it possible that he also...?"

373
00:43:52,750 --> 00:43:55,420
she thought,
but stopped herself there,

374
00:43:55,510 --> 00:43:57,460
as if before a door.

375
00:43:57,550 --> 00:44:01,300
The night was almost unbearable.
They barely spoke.

376
00:44:01,950 --> 00:44:06,260
She wanted to tell him something,
to do something, anything,

377
00:44:06,390 --> 00:44:08,780
but she remained silent once again.

378
00:44:08,870 --> 00:44:11,380
They went to sleep,
each to their room,

379
00:44:11,470 --> 00:44:13,940
and once again,
she couldn't sleep a wink.

380
00:44:14,030 --> 00:44:16,580
Once again, after all those years.

381
00:44:35,650 --> 00:44:38,000
The next day they did the job.

382
00:44:38,090 --> 00:44:39,520
They had to kill a Palestinian,

383
00:44:39,650 --> 00:44:42,760
some kind of Islamic leader
who was now all the rage in Europe

384
00:44:42,850 --> 00:44:45,040
and who the magazines
compared to Che Guevara

385
00:44:45,130 --> 00:44:47,400
due to his young, sexy style.

386
00:44:52,170 --> 00:44:55,000
They were now pretending
to be journalists.

387
00:44:55,490 --> 00:44:57,440
Journalists working for Life,
or Paris Match,

388
00:44:57,560 --> 00:44:58,770
or something of the sort.

389
00:44:59,090 --> 00:45:01,200
During that time
they did those things.

390
00:45:01,330 --> 00:45:04,880
Guerrilla leaders
liked being on the magazine covers,

391
00:45:05,230 --> 00:45:06,620
with great headlines,

392
00:45:07,810 --> 00:45:10,040
talking and ranting
about the Western world.

393
00:45:27,010 --> 00:45:29,200
She watched Angel and thought,

394
00:45:30,530 --> 00:45:34,320
"He's nervous.
He's thinking about something else."

395
00:45:34,410 --> 00:45:36,320
But she soon stopped herself.

396
00:45:37,810 --> 00:45:38,960
"Stop it, you silly girl.

397
00:45:39,050 --> 00:45:41,760
"If you don't focus, you'll end up
floating in the Dead Sea."

398
00:45:45,010 --> 00:45:48,120
One hour later, they killed the guy
with a bullet to the head,

399
00:45:48,240 --> 00:45:49,760
And end of the story.

400
00:46:03,210 --> 00:46:04,810
I'll be right back.

401
00:46:11,250 --> 00:46:12,610
I'll be right back.

402
00:47:55,130 --> 00:47:56,400
End of the story.

403
00:47:56,570 --> 00:47:58,000
She saw him hide the body,

404
00:47:58,090 --> 00:48:01,760
spray it with some kind of flammable
liquid and get back to the jeep.

405
00:48:01,850 --> 00:48:03,920
He then stood there for a while, still,

406
00:48:04,010 --> 00:48:06,800
and finally turned towards her
and waved at her.

407
00:48:06,890 --> 00:48:08,280
She waved back at him.

408
00:48:08,410 --> 00:48:10,960
He raised his hand,
and though he couldn't see her,

409
00:48:11,010 --> 00:48:13,160
she smiled. She smiled at him.

410
00:48:16,130 --> 00:48:19,120
Then she turned her back on him
and started to walk.

411
00:48:19,150 --> 00:48:20,770
She walked for an hour
across the desert

412
00:48:20,810 --> 00:48:25,120
until an army helicopter picked her up
and took her to a base in Israel.

413
00:48:25,210 --> 00:48:28,160
Then a plane to Istanbul,
a week in Istanbul,

414
00:48:28,290 --> 00:48:30,400
and another plane to Paris.

415
00:48:30,490 --> 00:48:32,640
They never saw each other again.

416
00:50:23,770 --> 00:50:26,840
From then on,
everything became clearer.

417
00:50:26,930 --> 00:50:29,480
She smelled it
from the very beginning.

418
00:50:29,570 --> 00:50:31,880
She waited several months
before showing her face.

419
00:50:31,970 --> 00:50:34,480
After all, the business
with the sexy Palestinian

420
00:50:34,570 --> 00:50:36,240
had been something very big,

421
00:50:36,260 --> 00:50:39,090
something the newspapers from all
over the world had talked about,

422
00:50:39,110 --> 00:50:43,320
and in fact, they kept putting bombs
in coffee shops to avenge his death.

423
00:50:43,450 --> 00:50:45,520
So she thought of it as a holiday.

424
00:50:45,610 --> 00:50:49,040
She read magazines,
studied English, practiced aerobics.

425
00:50:49,130 --> 00:50:51,160
She went to a museum once.

426
00:50:51,930 --> 00:50:54,840
But when a year later
she still hadn't heard from them,

427
00:50:54,930 --> 00:50:56,760
she knew it was all over.

428
00:50:58,350 --> 00:51:00,360
She didn't quite know what to do.

429
00:51:00,450 --> 00:51:02,480
All of a sudden, she was a free woman.

430
00:51:02,600 --> 00:51:04,280
Free and unemployed.

431
00:51:05,270 --> 00:51:08,530
What does an international assassin
do when she is out of work?

432
00:51:08,650 --> 00:51:11,360
Most surely, she doesn't do anything.
Where does she begin?

433
00:51:11,480 --> 00:51:14,400
Even so, little by little,
she rearranged her life.

434
00:51:15,250 --> 00:51:18,280
She had quite a lot of money,
she could do whatever she wanted.

435
00:51:18,400 --> 00:51:21,770
She could buy a house in Portugal,
or in Greece, or in the Dolomites,

436
00:51:21,890 --> 00:51:24,400
or a sail boat,
or an Alfa Romeo sports car,

437
00:51:24,490 --> 00:51:28,440
or travel to Nepal and wash away
her sins in a Lama monastery.

438
00:51:28,530 --> 00:51:30,360
But she didn't do any of that.

439
00:51:30,450 --> 00:51:32,360
She didn't do anything at all.

440
00:51:32,450 --> 00:51:35,040
She just stayed home,
waiting for something.

441
00:51:35,090 --> 00:51:37,360
Until one day something happened.

442
00:51:59,010 --> 00:52:03,800
One day, the phone rang.
A number no one had.

443
00:52:03,890 --> 00:52:06,120
Not even the people
from her previous job,

444
00:52:06,210 --> 00:52:08,200
not even the Personnel girls.

445
00:52:08,830 --> 00:52:13,080
A voice, maybe a man, maybe a woman,
said some words to her.

446
00:52:14,710 --> 00:52:17,960
Those words meant a place and a time
in the outskirts of the city.

447
00:52:21,890 --> 00:52:24,520
And when she got there,
she received another call,

448
00:52:24,610 --> 00:52:27,800
and then they gave her another place
and another date.

449
00:52:27,890 --> 00:52:30,209
There is a children's game
that consists in exactly this,

450
00:52:30,210 --> 00:52:31,880
you all must surely know it.

451
00:52:31,970 --> 00:52:34,280
It's called treasure hunt.

452
00:52:34,970 --> 00:52:39,080
Well, she kept playing treasure hunt
for several days,

453
00:52:39,170 --> 00:52:41,610
going from one place to another,
from one phone to another,

454
00:52:41,650 --> 00:52:44,320
following the indications like a fool.

455
00:55:10,290 --> 00:55:11,800
Until the hunt came to an end.

456
00:55:12,450 --> 00:55:14,560
The last place was too romantic,

457
00:55:14,650 --> 00:55:16,760
of a romanticism
that was almost tacky.

458
00:55:16,810 --> 00:55:19,740
The ideal place for a date
in a 19th century novel.

459
00:55:21,610 --> 00:55:24,840
She thought it was a joke he was
playing on her, and laughed a bit,

460
00:55:24,930 --> 00:55:29,200
but then she stopped laughing
because she found a letter.

461
00:55:33,490 --> 00:55:36,160
It was a letter from him, handwritten,

462
00:55:36,210 --> 00:55:39,520
and at that moment,
she, who had killed dozens of people,

463
00:55:39,650 --> 00:55:43,760
who had strangled people,
who had stabbed people in cold blood,

464
00:55:43,850 --> 00:55:45,680
who had poisoned people,

465
00:55:45,770 --> 00:55:48,880
who had shot people
in the head at point blank range,

466
00:55:48,970 --> 00:55:52,000
felt a knot in her stomach
and thought that she was scared

467
00:55:52,090 --> 00:55:55,520
and that she could not read it
and that she could not go on.

468
00:55:56,890 --> 00:56:01,080
The letter was addressed to her,
had her name, her real name,

469
00:56:01,170 --> 00:56:03,160
that name she hadn't heard
since school

470
00:56:03,290 --> 00:56:05,400
and that nobody
in her previous job knew,

471
00:56:05,490 --> 00:56:06,880
least of all him.

472
00:56:07,490 --> 00:56:10,120
And what followed was a love letter.

473
00:56:10,850 --> 00:56:12,880
That is, it didn't say things

474
00:56:12,970 --> 00:56:16,480
like "I love you", or "I've always
loved you, I'll always love you"

475
00:56:16,570 --> 00:56:18,640
or "I now see you were
the love of my life",

476
00:56:18,730 --> 00:56:20,280
or anything of the sort.

477
00:56:20,370 --> 00:56:23,480
Nothing like that, but the person
who had written the letter

478
00:56:23,570 --> 00:56:25,360
had thought about her
like nobody else,

479
00:56:25,450 --> 00:56:26,969
and had watched her like nobody else,

480
00:56:26,970 --> 00:56:30,680
and knew her like nobody else
had known her until that moment.

481
00:56:35,770 --> 00:56:37,520
In that letter was her.

482
00:56:37,610 --> 00:56:40,240
Not like an adventuress, or a heroine,

483
00:56:40,330 --> 00:56:44,040
nor driving across the desert
with a turban wrapping her hair,

484
00:56:44,090 --> 00:56:46,160
nor jumping from a moving train,

485
00:56:46,290 --> 00:56:50,480
nor letting bullets whistle
above her head impassively,

486
00:56:50,570 --> 00:56:54,960
nor hanging from a rope
over a precipice, nor skydiving,

487
00:56:55,050 --> 00:56:58,760
nor walking across a marsh,
soiled with sweat and mud.

488
00:56:58,850 --> 00:57:02,760
She was there getting dressed
with her back modestly turned to him,

489
00:57:02,810 --> 00:57:05,880
in hundreds of different hotels,

490
00:57:05,970 --> 00:57:08,800
all identical, all equally sad.

491
00:57:09,290 --> 00:57:12,160
Getting dressed with her back
turned to him, or wearing pajamas,

492
00:57:12,210 --> 00:57:13,440
or freshly bathed.

493
00:57:13,570 --> 00:57:15,960
And she was there in airports,
waiting for him,

494
00:57:16,050 --> 00:57:19,160
in hundreds of airports strewn
across the world.

495
00:57:19,290 --> 00:57:24,480
Waiting for him, standing, lonely,
nailed there like a little girl.

496
00:57:24,570 --> 00:57:27,520
She was there having fun,
cracking jokes,

497
00:57:27,610 --> 00:57:30,280
funny jokes she didn't remember
having said,

498
00:57:30,370 --> 00:57:32,040
or being moved by something,

499
00:57:32,090 --> 00:57:34,720
by a dawn in the mountains,
or over the ocean,

500
00:57:34,770 --> 00:57:37,280
being moved
without telling him anything,

501
00:57:37,370 --> 00:57:41,680
or stroking a dog, and a lot of things
she did without noticing,

502
00:57:41,770 --> 00:57:46,960
things a woman who looked like her
did, a woman who apparently was her.

503
00:57:47,050 --> 00:57:49,200
And in that letter was him, too.

504
00:57:49,330 --> 00:57:51,840
Him beside her, always watching her,

505
00:57:51,890 --> 00:57:54,710
silently watching, watching her walk
and watching her sleep

506
00:57:55,410 --> 00:57:56,320
and watching her talk.

507
00:57:56,970 --> 00:58:00,320
And he was there without her too,
thinking about her,

508
00:58:00,440 --> 00:58:03,760
remembering her in the endless months
they didn't see each other,

509
00:58:03,880 --> 00:58:06,080
speeding in some car,

510
00:58:06,200 --> 00:58:09,210
or swimming in the sea,
or visiting a distant country

511
00:58:09,330 --> 00:58:11,570
to see if he could get a little bit
of her back,

512
00:58:11,690 --> 00:58:13,960
to see if that whole wide
and fascinating world

513
00:58:14,080 --> 00:58:15,650
could give her back a little,

514
00:58:15,770 --> 00:58:19,000
and if something of her turned up
in one of those places.

515
00:58:20,890 --> 00:58:23,480
And she read the whole letter,
and read it again,

516
00:58:23,570 --> 00:58:26,320
and thought about destroying it,
but in the end she kept it,

517
00:58:26,370 --> 00:58:28,430
and spent a whole week
without talking to anyone,

518
00:58:28,490 --> 00:58:31,240
and she felt like crying,
and in the end, she cried.

519
00:58:31,330 --> 00:58:33,240
He was always there, she thought.

520
00:58:33,330 --> 00:58:35,760
Much more than me.
Much more than anyone.

521
00:58:37,530 --> 00:58:39,760
And only three weeks later,
or a month,

522
00:58:39,850 --> 00:58:42,480
she realized
the letter was a farewell,

523
00:58:42,570 --> 00:58:45,920
or rather, a testament,
or rather, a warning.

524
00:58:46,010 --> 00:58:50,880
That he was saying goodbye
and he was also saying "Watch out!"

525
00:58:50,970 --> 00:58:53,320
That the people from the previous job
knew everything,

526
00:58:53,670 --> 00:58:55,870
knew that letter by heart
even before he wrote it.

527
00:58:57,530 --> 00:59:00,000
That like that,
they were both useless to them.

528
00:59:00,050 --> 00:59:02,720
That he was going to get killed,
or had already been killed,

529
00:59:02,770 --> 00:59:04,760
and that she would get killed as well.

530
00:59:05,090 --> 00:59:07,000
Always by my side, partner,
she thought.

531
00:59:07,090 --> 00:59:08,640
Always with me.

532
00:59:08,730 --> 00:59:11,920
She thought she would have liked
to kiss him, at least once.

533
00:59:14,650 --> 00:59:17,200
She made a couple of phone calls,
she got a Swiss passport,

534
00:59:17,290 --> 00:59:19,280
or Swedish, and disappeared.

535
01:00:47,970 --> 01:00:50,920
Good morning.
My name is Casterman.

536
01:00:51,010 --> 01:00:52,680
And you are...?

537
01:00:54,330 --> 01:00:58,120
Don't worry...
There's no need. I apologize.

538
01:01:00,970 --> 01:01:03,400
Casterman had a hard time finding her.

539
01:01:03,530 --> 01:01:06,760
When she finally turned up,
they talked for a long while.

540
01:01:06,850 --> 01:01:11,240
They talked business, made small talk,
until they reached an agreement.

541
01:01:11,850 --> 01:01:14,000
After a while she had
the nerve to ask.

542
01:01:14,090 --> 01:01:16,080
"What about him?"
She asked, almost with fear.

543
01:01:16,170 --> 01:01:17,920
"How is he?"

544
01:01:18,010 --> 01:01:20,400
Casterman, though cold-blooded
and short-tempered,

545
01:01:20,530 --> 01:01:21,760
didn't know what to answer.

546
01:01:22,170 --> 01:01:26,200
Finally, he looked at her with all
the tenderness he was capable of.

547
01:01:26,330 --> 01:01:29,480
Don't worry about him",
he told her. "He's doing well".

548
01:01:40,010 --> 01:01:44,440
IN SOUTH AMERICA

549
01:01:58,290 --> 01:02:03,160
TO KILL THEM

550
01:02:46,770 --> 01:02:51,640
THEY COME TO KILL THEM

551
01:03:28,930 --> 01:03:36,800
SOME MINUTES BEFORE
THEY COME TO KILL THEM

552
01:03:53,730 --> 01:03:56,320
Come on... Up...

553
01:05:53,320 --> 01:05:54,950
It's good.

554
01:06:35,450 --> 01:06:37,480
Turn off the radio.

555
01:06:52,730 --> 01:06:55,440
Do you know what it says there?

556
01:06:56,850 --> 01:06:58,560
In that light?

557
01:06:59,730 --> 01:07:00,920
In that lamp.

558
01:07:03,410 --> 01:07:05,360
Do you know what it says?

559
01:07:09,730 --> 01:07:11,320
"The night sun".

560
01:07:13,050 --> 01:07:14,840
Isn't that funny?

561
01:07:16,210 --> 01:07:18,160
"The night sun".

562
01:07:32,410 --> 01:07:35,440
It reminds me of something
and I don't know what...

563
01:07:38,650 --> 01:07:40,400
To the "iron horse".

564
01:07:48,690 --> 01:07:50,600
And what's that?

565
01:07:50,690 --> 01:07:52,280
The car?

566
01:07:54,010 --> 01:07:55,400
The train...

567
01:08:06,490 --> 01:08:08,320
And the submarine?

568
01:08:10,290 --> 01:08:12,280
The iron fish...

569
01:08:18,010 --> 01:08:19,600
And the plane,

570
01:08:20,130 --> 01:08:22,120
the iron bird...

571
01:08:22,850 --> 01:08:24,600
That's enough.

572
01:08:38,010 --> 01:08:40,080
And the iron arrow?

573
01:08:48,090 --> 01:08:49,720
The SA 18!

574
01:08:52,890 --> 01:08:54,280
And the bomb?

575
01:08:55,850 --> 01:08:58,240
Do you know what the bomb would be?

576
01:08:59,810 --> 01:09:01,320
I said it's enough...

577
01:09:07,930 --> 01:09:10,280
Then there's the "iron lady".

578
01:09:27,810 --> 01:09:30,080
And the "iron curtain".

579
01:10:04,850 --> 01:10:07,330
The plane?
Already?

580
01:10:07,450 --> 01:10:08,810
Shut up!

581
01:10:08,930 --> 01:10:11,130
Stay here...

582
01:10:59,410 --> 01:11:04,000
THE MOLE

583
01:11:50,290 --> 01:11:52,040
First, there's the land.

584
01:11:52,650 --> 01:11:56,680
That before anything else:
the white, infinite plains,

585
01:11:58,050 --> 01:12:03,080
semi-deserted miles and miles,
spreading like a sea or like a galaxy,

586
01:12:03,170 --> 01:12:05,800
boundless, hopeless, like an abyss.

587
01:12:08,210 --> 01:12:11,000
Miles and miles
where there's nothing, or nearly:

588
01:12:11,090 --> 01:12:13,520
where there are no men, or nearly.

589
01:12:26,650 --> 01:12:29,600
Sometimes, in the distance,
some light, some house,

590
01:12:29,690 --> 01:12:31,320
some chemical plant,

591
01:12:31,410 --> 01:12:33,120
some barn, some windmill.

592
01:12:34,010 --> 01:12:36,920
Even worse, even lonelier.

593
01:12:40,770 --> 01:12:43,840
And that goes on for hundreds
of thousands of miles,

594
01:12:43,930 --> 01:12:46,280
for almost one third of the world.

595
01:12:56,450 --> 01:13:00,720
Before anything else:
that sad and filthy expanse of land.

596
01:13:01,170 --> 01:13:03,600
The sad and filthy
factories in Moscow,

597
01:13:04,090 --> 01:13:06,840
the sad and filthy farms in Ukraine,

598
01:13:07,090 --> 01:13:09,080
the sad and filthy Urals.

599
01:13:11,410 --> 01:13:16,520
Sad and filthy are the Volga lowlands
and the lonely Caspian, and the Altai,

600
01:13:17,090 --> 01:13:20,080
appearing in the distance
as if they were towers.

601
01:13:26,010 --> 01:13:29,680
And then,
like an infinite cry, Siberia,

602
01:13:29,770 --> 01:13:31,960
distant like a wolf's howl,

603
01:13:32,050 --> 01:13:35,280
distant even if you are there,
distant and lonely,

604
01:13:35,410 --> 01:13:38,600
like those scary hermits
who live in caves.

605
01:13:38,690 --> 01:13:42,600
Siberia, spreading out like
a disease across the whole continent,

606
01:13:42,690 --> 01:13:45,640
through miles and miles,
through a third of the world,

607
01:13:45,730 --> 01:13:48,350
spreading so much that there
are mountains in the south

608
01:13:48,370 --> 01:13:49,960
and frozen seas in the north,

609
01:13:50,010 --> 01:13:52,160
and you think that they are there
to stop it,

610
01:13:52,290 --> 01:13:55,280
to curb so much filth and sadness.

611
01:13:56,090 --> 01:14:00,160
Siberia, white as ghosts
are white,

612
01:14:00,290 --> 01:14:02,960
white as the paper
on which a will is written,

613
01:14:03,010 --> 01:14:06,920
or a death sentence;
white as a blind man's eyes;

614
01:14:07,370 --> 01:14:09,040
white as a dead man's skin;

615
01:14:09,130 --> 01:14:11,480
white as a skeleton
abandoned for centuries;

616
01:14:12,530 --> 01:14:13,920
white as the snow that falls

617
01:14:13,970 --> 01:14:16,150
and kills what little
is left of spring;

618
01:14:16,350 --> 01:14:20,080
white as a wedding dress
forgotten inside a closet;

619
01:14:20,130 --> 01:14:24,480
white as the marble of a pagan temple
to which no one will ever return;

620
01:14:24,610 --> 01:14:26,240
white as the glass of milk

621
01:14:26,330 --> 01:14:28,760
someone uses
to poison a beautiful woman;

622
01:14:28,810 --> 01:14:31,880
white as the gravestone of a man
powerful and unjust;

623
01:14:31,970 --> 01:14:35,120
white as the moon reflected
in the eyes of a wolf

624
01:14:35,210 --> 01:14:38,920
that howls with hunger
and despair and sadness.

625
01:14:40,330 --> 01:14:45,080
Before anything else, that.
In one corner of the ring, that.

626
01:15:01,770 --> 01:15:05,560
Then there's her.
In the other corner of the ring.

627
01:15:06,090 --> 01:15:08,160
She was Agent 50.

628
01:15:09,010 --> 01:15:11,680
That meant she was one of the fifteen
most important people

629
01:15:11,770 --> 01:15:13,600
in the Party's Intelligence;

630
01:15:14,170 --> 01:15:17,280
one of the thirty most powerful
spies in the world.

631
01:15:20,170 --> 01:15:23,560
Her life actually resembled that
of a regular clerk.

632
01:15:34,770 --> 01:15:38,920
She had her office, stark and grey,
on the fifth floor of the "Centre",

633
01:15:38,930 --> 01:15:40,430
which was the name
they gave in Moscow

634
01:15:40,450 --> 01:15:42,600
to the organization
that gathered snitches,

635
01:15:42,690 --> 01:15:44,560
spies and assassins.

636
01:15:53,210 --> 01:15:54,929
Except for one or two weeks
every year,

637
01:15:54,930 --> 01:15:56,720
her life was always the same.

638
01:15:58,810 --> 01:16:01,200
She would arrive, sit at her desk,

639
01:16:01,330 --> 01:16:04,440
her secretary would bring her tea
and the first reports.

640
01:17:21,210 --> 01:17:23,760
- Excuse me, comrade...
- You may come in...

641
01:17:48,530 --> 01:17:51,200
Well, let's see what we've got today...

642
01:17:53,720 --> 01:17:56,320
- Vienna.
- Here.

643
01:17:56,440 --> 01:18:00,280
- Kiev.
- Here.

644
01:18:01,210 --> 01:18:05,130
- Belgrade.
- Sixth floor.

645
01:18:05,250 --> 01:18:08,200
- Prague.
- Here.

646
01:18:08,320 --> 01:18:11,280
- Stockholm.
- Tenth.

647
01:18:11,400 --> 01:18:13,890
- Stockholm.
- First.

648
01:18:14,010 --> 01:18:17,000
- Rio de Janeiro.
- Seventh.

649
01:18:17,830 --> 01:18:20,690
- Bucharest.
- Twelfth.

650
01:18:20,810 --> 01:18:24,880
She read. "Agent 741,
destination Angola Embassy,

651
01:18:24,970 --> 01:18:27,040
reports bank transactions."

652
01:18:27,130 --> 01:18:29,720
She ordered: "To the 4th floor."

653
01:18:30,170 --> 01:18:32,840
She read: "Agent 112, in Bern,

654
01:18:32,930 --> 01:18:35,009
reports having gathered
important information

655
01:18:35,010 --> 01:18:37,080
and requests
safe communication channel."

656
01:18:37,170 --> 01:18:39,520
She decided: "Second floor."

657
01:18:40,890 --> 01:18:42,160
That was all.

658
01:18:42,890 --> 01:18:45,800
Four-hundred and fifty men lived
under her control,

659
01:18:45,890 --> 01:18:48,520
hidden, scattered across the world,

660
01:18:48,610 --> 01:18:51,480
living under fake names
and telling lies,

661
01:18:51,570 --> 01:18:55,160
not knowing their luck
was decided on that desk in Moscow.

662
01:18:55,370 --> 01:18:56,960
That was the game.

663
01:18:57,050 --> 01:18:59,200
They called it "Networks"
and the fun was

664
01:18:59,330 --> 01:19:01,840
that no one knew
very well what they were doing.

665
01:19:02,690 --> 01:19:05,880
Each one did a part.
Poisoned someone,

666
01:19:06,000 --> 01:19:09,680
took a picture, took a package,
stole some documents.

667
01:19:09,770 --> 01:19:11,400
But nobody ever wholly understood

668
01:19:11,490 --> 01:19:16,040
what each of those single
acts was for.

669
01:19:16,090 --> 01:19:19,080
A hundred years earlier,
Karl Marx had talked

670
01:19:19,170 --> 01:19:21,760
about that and had said
all that was very wrong.

671
01:19:21,810 --> 01:19:24,880
It doesn't matter.
Karl Marx could be Karl Marx,

672
01:19:24,970 --> 01:19:26,840
but he knew nothing about espionage.

673
01:19:26,930 --> 01:19:29,120
Espionage, or following orders,

674
01:19:29,210 --> 01:19:31,640
or doing as told without
asking questions.

675
01:19:32,890 --> 01:19:36,200
In contrast, her army of robots
understood it very clearly.

676
01:19:36,330 --> 01:19:37,760
Someone gave the orders.

677
01:19:37,850 --> 01:19:39,400
She gave the orders.

678
01:19:39,490 --> 01:19:42,840
If she made a mistake,
if she said "Third floor"

679
01:19:42,930 --> 01:19:46,320
instead of "Fifth floor",
they were dead.

680
01:19:53,010 --> 01:19:55,640
"There's your Cold War there,"
thought Casterman.

681
01:19:55,730 --> 01:19:58,680
"A war fought by bureaucrats,
receptionists,

682
01:19:58,770 --> 01:20:01,160
file clerks, translators.

683
01:20:02,770 --> 01:20:04,760
A war fought by writers.

684
01:20:05,050 --> 01:20:06,680
That's where everything's decided.

685
01:20:06,770 --> 01:20:09,680
That's where it's decided
if someone wins or loses".

686
01:20:17,010 --> 01:20:18,360
She knew it well.

687
01:20:18,690 --> 01:20:20,160
She knew that was her war

688
01:20:20,290 --> 01:20:22,640
and that she was
a soldier in that war.

689
01:20:22,730 --> 01:20:25,720
She had military training,
she had Colonel rank,

690
01:20:25,770 --> 01:20:29,000
she had been in the field
in Afghanistan and Lapland:

691
01:20:29,090 --> 01:20:30,400
fuck all that.

692
01:20:30,770 --> 01:20:33,640
It wasn't a boy scouts war
they were fighting.

693
01:20:33,730 --> 01:20:36,440
Her place was that desk,
that secretary,

694
01:20:36,530 --> 01:20:39,400
that routine:
Fourth floor, third floor.

695
01:20:39,730 --> 01:20:44,080
She was a guard, a sentinel:
her battlefield was the whole world

696
01:20:44,170 --> 01:20:47,760
and she just had to ensure
that nothing went off course;

697
01:20:47,810 --> 01:20:49,440
that everything was fine.

698
01:20:49,530 --> 01:20:51,960
Let others jump with parachutes
or steal microfilms.

699
01:20:52,080 --> 01:20:55,410
I, from this little room,
will put up a fight."

700
01:21:07,970 --> 01:21:10,110
Comrade,

701
01:21:10,230 --> 01:21:12,460
I think you should see this.

702
01:21:14,190 --> 01:21:16,480
Until one day everything went rotten.

703
01:21:26,570 --> 01:21:31,120
- A lot are arriving.
- A lot, really...

704
01:22:01,290 --> 01:22:02,720
She arrived, as always,

705
01:22:02,770 --> 01:22:05,080
the secretary brought her everything,
as always,

706
01:22:05,170 --> 01:22:07,200
but instead of the routine reports,

707
01:22:07,330 --> 01:22:12,400
she read something else.

708
01:22:16,890 --> 01:22:21,680
What she read, what she saw was
the Union of Soviet Socialist Republics

709
01:22:21,800 --> 01:22:22,880
being humiliated,

710
01:22:22,970 --> 01:22:26,400
turned into the laughingstock
of all the spies in the world;

711
01:22:26,520 --> 01:22:27,930
she saw, in a matter of seconds,

712
01:22:28,050 --> 01:22:30,570
how the whole
counter-espionage strategy sunk,

713
01:22:30,690 --> 01:22:34,130
shattered, spinning down
the Western world toilet,

714
01:22:34,250 --> 01:22:36,560
amidst hideous and triumphant laughs.

715
01:22:39,050 --> 01:22:41,560
In less than an hour,
forty reports came in,

716
01:22:41,650 --> 01:22:44,040
all confidential, all very serious.

717
01:22:44,170 --> 01:22:50,720
Murdered agents, spoiled networks,
aborted missions, missing documents.

718
01:22:51,130 --> 01:22:52,440
What had happened?

719
01:22:52,570 --> 01:22:55,880
How come the voodoo curse
was sticking its pins all at once,

720
01:22:55,970 --> 01:22:57,480
in one single blow?

721
01:22:57,570 --> 01:22:59,680
It was a disaster, a masterstroke:

722
01:22:59,800 --> 01:23:04,400
THE USA EMBASSY

723
01:23:07,010 --> 01:23:09,040
those weren't
the lesser agents speaking.

724
01:23:09,130 --> 01:23:11,920
It was the elite,
the cream of the crop in the Service,

725
01:23:12,010 --> 01:23:13,760
scared like little children.

726
01:23:13,850 --> 01:23:18,160
The moles from Washington, Paris,
London, United Nations,

727
01:23:18,290 --> 01:23:19,600
Geneva were writing.

728
01:23:19,690 --> 01:23:22,320
They were no longer
the usual laconic reports;

729
01:23:22,410 --> 01:23:23,609
they were requests for help,

730
01:23:23,610 --> 01:23:26,600
desperate cries
in the middle of a collapse.

731
01:23:26,850 --> 01:23:28,200
The collapse:

732
01:23:28,330 --> 01:23:32,280
that's how that day was called
in the annals of the Moscow centre.

733
01:23:32,810 --> 01:23:36,680
The day of the collapse,
the day everything went to hell,

734
01:23:37,010 --> 01:23:41,640
the day the party was over for us;
the day we lost the war.

735
01:24:00,170 --> 01:24:02,960
Those were the days
of the Minsk Protocol.

736
01:24:05,210 --> 01:24:08,880
That was the order that suddenly
began to appear in every embassy,

737
01:24:08,970 --> 01:24:11,240
in every Russian House of Culture,

738
01:24:11,370 --> 01:24:15,440
in every Franco-Soviet
or German-Soviet

739
01:24:15,530 --> 01:24:17,400
or British-Soviet cooperation office.

740
01:24:17,490 --> 01:24:21,360
And in every other spy nest
all over the world.

741
01:24:21,450 --> 01:24:25,640
Minsk Protocol.
And that meant it was over.

742
01:24:26,130 --> 01:24:30,760
Disappear Don't leave any trace.
Set everything on fire.

743
01:24:30,850 --> 01:24:33,360
Leave everything you are doing.

744
01:24:33,450 --> 01:24:36,400
Nothing matters anymore.
We are all dead.

745
01:24:36,520 --> 01:24:40,660
Minsk Protocol. Minsk Protocol.

746
01:24:49,620 --> 01:24:53,410
Sorry, comrade.
Minsk Protocol.

747
01:25:40,010 --> 01:25:42,370
What do I do?

748
01:25:42,490 --> 01:25:46,760
What do I do?
What floor do I send them to?

749
01:26:08,850 --> 01:26:12,360
Comrade. May I leave?

750
01:26:19,490 --> 01:26:21,289
The following scene
takes place a month,

751
01:26:21,290 --> 01:26:23,680
month and a half after the Collapse.

752
01:26:23,770 --> 01:26:26,880
The place:
the office of Admiral Ratnikov,

753
01:26:26,970 --> 01:26:29,050
the major authority
in counter-intelligence

754
01:26:29,090 --> 01:26:31,040
within the Supreme Soviet.

755
01:26:31,130 --> 01:26:32,960
Agent 50 is waiting.

756
01:26:33,490 --> 01:26:35,920
She knows the Collapse
has caused the worst crisis

757
01:26:36,010 --> 01:26:37,880
within the highest echelons
in the party

758
01:26:37,970 --> 01:26:40,880
since the cotton scandal
in the mid seventies.

759
01:26:41,370 --> 01:26:43,400
She knows many have gone
to the other side,

760
01:26:43,490 --> 01:26:46,280
and that this meeting
might be her death sentence.

761
01:26:46,810 --> 01:26:49,760
Ratnikov has not arrived yet;
he keeps her waiting.

762
01:26:50,530 --> 01:26:54,720
Only his Admiral cap and coat
can be seen on a nearby armchair.

763
01:26:54,770 --> 01:26:56,480
The office looks fancy,

764
01:26:56,570 --> 01:26:59,640
different to all the offices
in the regime,

765
01:26:59,730 --> 01:27:02,840
no picture of Lenin,
no picture of Gagarin,

766
01:27:02,930 --> 01:27:06,360
no picture of Molotov,
no picture of Breznev,

767
01:27:06,490 --> 01:27:09,840
and on the desk there are
no French pens, or Swiss watches,

768
01:27:09,930 --> 01:27:11,320
or English tobacco.

769
01:27:11,690 --> 01:27:16,440
Just some bust of some Russian naval
hero: Makarov, or some other one.

770
01:27:16,530 --> 01:27:18,200
And a picture of Ratnikov himself,

771
01:27:18,290 --> 01:27:21,000
in sailor clothes
as if he were a crewman

772
01:27:21,050 --> 01:27:22,920
in the Potemkin Battleship.

773
01:27:23,010 --> 01:27:27,160
That's all;
that and that immense Neptune behind,

774
01:27:27,290 --> 01:27:33,080
as if saying: the owner of this desk
is a sea man, a man of action,

775
01:27:33,130 --> 01:27:36,840
someone who knows danger
and who has seen death in the eye.

776
01:27:36,930 --> 01:27:40,720
He is not a shitty clerk like you,
be careful.

777
01:27:42,770 --> 01:27:44,480
Agent 50 knows it.

778
01:27:44,930 --> 01:27:50,760
Agent 50 is more impatient
than scared, but she is a bit scared.

779
01:27:50,810 --> 01:27:52,720
Finally, Ratnikov appears.

780
01:28:01,090 --> 01:28:02,800
At first, he is kind.

781
01:28:02,890 --> 01:28:05,880
He calls her by her name,
which he mysteriously knows.

782
01:28:06,170 --> 01:28:09,080
He asks her not to call him Admiral,
or Comrade

783
01:28:09,170 --> 01:28:10,760
but to call him by his name.

784
01:28:10,850 --> 01:28:13,560
"Call me Raiko," he tells her.

785
01:28:13,650 --> 01:28:17,360
Ratnikov is Estonian;
he is one of the first Estonians

786
01:28:17,450 --> 01:28:20,000
to reach an important position
in the Presidium,

787
01:28:20,050 --> 01:28:23,120
and he seems to want to show
that he is a simple guy,

788
01:28:23,210 --> 01:28:26,120
that he still is a friendly
good-natured man from the Baltic,

789
01:28:26,210 --> 01:28:28,480
that Moscow hasn't changed him.

790
01:28:28,610 --> 01:28:32,320
They make small talk for a while,
about his family,

791
01:28:32,410 --> 01:28:35,160
his sail boat outings with his family.

792
01:28:35,210 --> 01:28:37,520
"He is torturing me", she thinks.

793
01:28:37,650 --> 01:28:40,320
"He knows he is going to kill me
and talks to me about sailing.

794
01:28:40,410 --> 01:28:41,760
Sadistic dwarf."

795
01:28:41,850 --> 01:28:45,160
After a while, nonchalantly,
he broaches the subject.

796
01:28:45,290 --> 01:28:47,240
"Well," he tells her,

797
01:28:47,330 --> 01:28:50,880
"you know this matter
has given us quite a few headaches."

798
01:28:51,330 --> 01:28:55,000
Agent 50 is shivering inside.

799
01:28:55,050 --> 01:28:59,040
Well... You know this matter
has given us quite a few headaches...

800
01:29:00,410 --> 01:29:03,360
In the Navy, we have an expression,
you know?

801
01:29:03,730 --> 01:29:07,480
"Start the day with clams on the keel."
Do you get it?

802
01:29:07,570 --> 01:29:09,280
Well, it's a bit confusing to explain,

803
01:29:09,370 --> 01:29:12,160
but let me assure
it guarantees quite a headache,

804
01:29:12,210 --> 01:29:18,520
a day of the most annoying job
you could ever imagine.

805
01:29:21,330 --> 01:29:25,760
Well, I think that from that day
onwards, every morning,

806
01:29:25,810 --> 01:29:31,240
we start the day with clams
on the keel.

807
01:29:31,370 --> 01:29:34,080
Well... We also have another
saying in the Navy.

808
01:29:34,130 --> 01:29:39,520
"Too many feathers
for the poor albatross."

809
01:29:39,650 --> 01:29:40,920
Do you understand?

810
01:29:41,010 --> 01:29:42,840
Too many feathers, comrade,

811
01:29:42,930 --> 01:29:49,200
so that, sooner or later, something
like this was bound to happen.

812
01:29:49,330 --> 01:29:53,720
We have nearly a thousand
men out there, in the field.

813
01:29:53,770 --> 01:29:55,520
We cannot know them all, right?

814
01:29:55,610 --> 01:30:00,040
We cannot be sure that one of them
wasn't lying to us from the very start.

815
01:30:00,130 --> 01:30:05,080
There are too many evil minds
at work at the same time.

816
01:30:05,170 --> 01:30:08,560
"Too many feathers
for the poor albatross!"

817
01:30:09,210 --> 01:30:12,280
It is only then
that Agent 50 discovers

818
01:30:12,410 --> 01:30:17,960
where the other one is going.
Ratnikov, sly as a fox, notices it.

819
01:30:19,330 --> 01:30:22,880
I can see you understand me.

820
01:30:22,930 --> 01:30:24,240
Well, yes...

821
01:30:24,370 --> 01:30:28,080
Everything seems to indicate that
some wolf has slipped into our flock.

822
01:30:28,130 --> 01:30:33,520
That he has been among us
and that he has finally bitten us,

823
01:30:33,650 --> 01:30:36,960
while we were sleeping.

824
01:30:37,050 --> 01:30:40,200
At some point you need to sleep.

825
01:30:40,330 --> 01:30:45,200
We all need to sleep at some point.
Isn't that right, Colonel?

826
01:30:58,450 --> 01:30:59,640
Two hours later,

827
01:30:59,730 --> 01:31:03,640
Agent 50 stepped out into the street,
into the cold fall weather.

828
01:31:06,130 --> 01:31:09,720
She had gone in around noon
and it was already getting dark.

829
01:31:11,930 --> 01:31:14,040
Nights were getting longer,

830
01:31:14,130 --> 01:31:16,960
and a couple of days before
it had already started to snow.

831
01:31:19,130 --> 01:31:23,560
But she thought not of the snow,
or of the cold, or of the nights.

832
01:31:23,690 --> 01:31:30,240
She thought about just one thing.
One word. One name. Boris.

833
01:31:33,770 --> 01:31:36,480
Tell me something, Colonel.

834
01:31:37,810 --> 01:31:41,520
Does the name Podgorov
mean anything to you?

835
01:31:43,370 --> 01:31:45,960
Andrei Stepanovich Podgorov?

836
01:31:49,010 --> 01:31:50,640
Boris, maybe?

837
01:31:53,690 --> 01:31:57,360
Of course,
it's such a common name, right?

838
01:31:59,770 --> 01:32:02,510
ASSIGNMENT

839
01:32:03,330 --> 01:32:06,320
Very well... Let me see...
Andrei Stepanovich Podgorov.

840
01:32:06,410 --> 01:32:09,280
Captain of the tenth Airborne Corps.

841
01:32:09,370 --> 01:32:14,240
Graduated in military intelligence
at the Grozny training centre

842
01:32:14,330 --> 01:32:16,010
in '81 and my, oh my!

843
01:32:16,130 --> 01:32:18,400
Recruited for active service
at the Centre, in Minsk,

844
01:32:18,530 --> 01:32:21,360
on March 2nd, 1982.

845
01:32:24,280 --> 01:32:26,460
By yourself, Colonel.

846
01:32:28,890 --> 01:32:32,060
Assigned name: Boris.

847
01:32:38,370 --> 01:32:41,280
We cannot remember them all,
can we?

848
01:32:41,370 --> 01:32:44,360
So that was it. Some Boris fellow,

849
01:32:44,450 --> 01:32:47,240
someone nobody
had ever seemed to notice,

850
01:32:47,330 --> 01:32:50,000
had crept into the Centre
like a ghost,

851
01:32:50,050 --> 01:32:53,160
like a silent reptile,
and no one had suspected him.

852
01:32:53,290 --> 01:32:55,760
He had been there, invisible,
for three years,

853
01:32:55,810 --> 01:32:58,800
accessing all the information
right under their noses,

854
01:32:58,890 --> 01:33:01,000
quiet, sleeping, waiting.

855
01:33:02,090 --> 01:33:03,160
Boris!

856
01:33:04,410 --> 01:33:08,440
She had not seen him more than once,
of which time she could recall nothing.

857
01:33:08,530 --> 01:33:11,880
A tall, blond fellow,
Ratnikov had told her.

858
01:33:11,970 --> 01:33:15,040
You talked for some half an hour
at a train station.

859
01:33:15,130 --> 01:33:16,360
That was all.

860
01:33:16,490 --> 01:33:20,160
It's all very clear here,
this is your signature, Colonel.

861
01:33:20,810 --> 01:33:24,960
"That was all," she thought.
"There were hundreds like him;

862
01:33:25,050 --> 01:33:28,280
hundreds of tall blond fellows
at train stations."

863
01:33:28,410 --> 01:33:31,320
In those days, her life consisted
of meetings with those types

864
01:33:31,410 --> 01:33:34,000
at stations,
so that they became spies.

865
01:33:34,450 --> 01:33:36,720
Which one of them was Boris?

866
01:33:36,770 --> 01:33:38,449
Which one of all those blonds
was the one

867
01:33:38,450 --> 01:33:42,840
who had stuck a dagger in the back
of the Cause of the People?

868
01:33:43,330 --> 01:33:48,320
"That, Colonel, is for you
to find out," Ratnikov had said.

869
01:33:48,410 --> 01:33:51,120
"Yes, Colonel.
We want you to find him."

870
01:33:54,930 --> 01:33:56,600
But... Admiral...

871
01:34:00,610 --> 01:34:02,480
We want you to find Boris.

872
01:34:04,130 --> 01:34:07,520
It would be good for us
to ask him some questions.

873
01:34:07,970 --> 01:34:10,640
You have seen him.

874
01:34:12,890 --> 01:34:16,400
Nobody else but you appears
to have seen him.

875
01:34:19,090 --> 01:34:22,200
We have been looking for him
for a month, and nothing.

876
01:34:22,730 --> 01:34:24,360
I'm sorry, Colonel.

877
01:34:25,450 --> 01:34:27,480
We don't have many options.

878
01:34:32,050 --> 01:34:35,000
- Do we have any kind of...?
- Yes.

879
01:34:36,050 --> 01:34:39,600
We are certain he has not left.
He is still here.

880
01:34:40,370 --> 01:34:42,260
Here in Moscow?

881
01:34:43,190 --> 01:34:45,230
Here in Russia.

882
01:34:53,050 --> 01:34:56,360
Then the fantastic part
of this story begins.

883
01:34:56,770 --> 01:35:01,960
She, who until then was a bureaucrat,
has been ordered to find a man,

884
01:35:02,050 --> 01:35:05,560
hidden in some corner
of an infinite territory.

885
01:35:19,010 --> 01:35:23,560
She walks a few feet in the afternoon
that is already turning into evening.

886
01:35:29,210 --> 01:35:35,160
"Where do I begin?"
She asks herself. "This way? That way?"

887
01:35:35,290 --> 01:35:37,520
And she knows that,
wherever she looks,

888
01:35:37,610 --> 01:35:40,600
she has 8 million miles ahead;

889
01:35:40,690 --> 01:35:43,120
more than
three hundred million people.

890
01:35:44,650 --> 01:35:47,320
Only one of them is Boris.

891
01:35:52,820 --> 01:35:56,090
At first, the thing still makes sense.

892
01:35:56,210 --> 01:35:59,600
She is still an agent
on a secret mission.

893
01:35:59,730 --> 01:36:02,760
She does things
in an orderly and logical fashion.

894
01:36:02,810 --> 01:36:05,240
She produces a list of people,
of contacts,

895
01:36:05,370 --> 01:36:08,200
and decides to interview them
one by one.

896
01:36:08,290 --> 01:36:10,840
For months, she travels
from one place to another,

897
01:36:10,890 --> 01:36:12,920
from Leningrad to Vladivostok,

898
01:36:13,010 --> 01:36:16,080
from the dirty piers in Odessa
to the ports in the north.

899
01:36:16,170 --> 01:36:17,520
She is a detective.

900
01:36:17,650 --> 01:36:19,320
Someone going from house to house

901
01:36:19,410 --> 01:36:23,040
finding out, sniffing around,
asking questions.

902
01:36:23,090 --> 01:36:26,000
She works restlessly,
not missing a day.

903
01:36:26,090 --> 01:36:29,600
But a few months later
her list of suspects is exhausted,

904
01:36:29,690 --> 01:36:31,840
and she still has nothing.

905
01:36:31,930 --> 01:36:34,360
Nobody has seen Boris.

906
01:36:34,490 --> 01:36:37,600
Nobody knows who he is
or has heard of him.

907
01:36:38,450 --> 01:36:40,120
She moves on.

908
01:36:40,170 --> 01:36:43,160
She prepares another list
and continues travelling.

909
01:36:43,290 --> 01:36:45,640
She travels
to more remote places each time.

910
01:36:45,730 --> 01:36:48,040
She travels to the Caucasus, to Baku,

911
01:36:48,130 --> 01:36:51,400
she visits the lost towns
in Ossetia and Bessarabia.

912
01:36:51,530 --> 01:36:55,000
She travels through mountains,
windy and rocky roads,

913
01:36:55,090 --> 01:36:56,520
almost medieval villages

914
01:36:56,650 --> 01:36:59,480
the Revolution
does not seem to have reached.

915
01:36:59,570 --> 01:37:01,720
And Boris is nowhere to be found.

916
01:37:02,530 --> 01:37:05,440
When she runs out of names,
she makes a new list,

917
01:37:05,530 --> 01:37:09,360
with even more unlikely people,
even more faraway.

918
01:37:09,450 --> 01:37:13,320
Deep down, she knows that those names
are becoming less important,

919
01:37:13,410 --> 01:37:18,280
and that what really matters
is to keep looking.

920
01:37:19,610 --> 01:37:23,600
After eight or nine months of search,
she starts with the trains.

921
01:37:36,050 --> 01:37:39,400
Agent 50, the girl who, years later,

922
01:37:39,530 --> 01:37:43,120
would become Agent 50
had learned at school

923
01:37:43,240 --> 01:37:46,450
that the network of railway lines
in the Soviet Union was so vast

924
01:37:46,570 --> 01:37:48,720
that if you placed one track
after the other,

925
01:37:48,840 --> 01:37:51,240
you could circle the earth five times.

926
01:37:52,260 --> 01:37:55,950
The truth is that when she has
no more cities to check,

927
01:37:56,070 --> 01:37:59,800
Agent 50 starts
to look for the mole on trains,

928
01:37:59,920 --> 01:38:02,320
and little by little,
trains become her life.

929
01:38:07,290 --> 01:38:08,760
Maybe she thinks:

930
01:38:08,890 --> 01:38:11,480
"If the only time
I saw him was at a train station,

931
01:38:11,570 --> 01:38:13,720
perhaps that's where I will find him."

932
01:38:16,010 --> 01:38:17,840
But maybe she doesn't think that,

933
01:38:17,930 --> 01:38:20,360
and she just gets on the first train
on a hunch,

934
01:38:20,480 --> 01:38:22,570
or because
someone tells her something,

935
01:38:22,690 --> 01:38:24,840
or just because. Just because,

936
01:38:24,930 --> 01:38:27,760
and she doesn't suspect
that that railway landscape

937
01:38:27,850 --> 01:38:30,000
will quickly become her life.

938
01:38:30,610 --> 01:38:32,200
And the first year goes by,

939
01:38:32,290 --> 01:38:34,760
and then another one,
and another one, and her manhunt

940
01:38:34,880 --> 01:38:37,240
becomes more and more unreal.

941
01:38:37,360 --> 01:38:39,120
The mole is somewhere;

942
01:38:39,170 --> 01:38:41,240
he's still there, and she knows it,

943
01:38:41,370 --> 01:38:42,520
and chasing him up

944
01:38:42,610 --> 01:38:45,480
across the endless steppes
is all she has left,

945
01:38:45,600 --> 01:38:48,290
as if nothing
from before had ever existed.

946
01:39:03,670 --> 01:39:06,490
Nothing from before:
just the Soviet landscape

947
01:39:06,610 --> 01:39:09,960
stretching out endlessly
across the train window.

948
01:39:10,730 --> 01:39:13,120
The snow, the frozen rivers,

949
01:39:13,210 --> 01:39:16,760
the little wooden houses
as in Bruegel the Elder's paintings.

950
01:39:16,810 --> 01:39:19,320
The housing complexes
sleeping motionless

951
01:39:19,410 --> 01:39:23,080
as if they were mean hibernating bears
who shouldn't be bothered.

952
01:39:26,930 --> 01:39:29,000
The stations at night, empty,

953
01:39:29,090 --> 01:39:31,920
spots you only see
for a couple of seconds,

954
01:39:32,010 --> 01:39:34,160
between waking up
and falling back asleep,

955
01:39:34,290 --> 01:39:36,520
and which get mixed with dreams.

956
01:39:37,970 --> 01:39:41,760
And the factories, the chimneys,
and the nuclear power plants,

957
01:39:41,850 --> 01:39:45,360
and the smoke, always in the distance,
like a ghost.

958
01:39:47,370 --> 01:39:49,360
What are those years like?

959
01:39:51,450 --> 01:39:53,840
What does she think about
all that time?

960
01:39:56,370 --> 01:39:58,680
Sometimes she thinks of Boris.

961
01:40:00,970 --> 01:40:04,560
She thinks
"Does he know I'm looking for him?

962
01:40:06,490 --> 01:40:09,000
Does he know there is nothing else
but him in my life,

963
01:40:09,050 --> 01:40:11,009
and this succession of fields
and deserts

964
01:40:11,010 --> 01:40:13,680
and trees bare like splinters?"

965
01:40:26,530 --> 01:40:28,480
In time, those train cars,

966
01:40:28,570 --> 01:40:32,120
that cabin and that window
become her house.

967
01:40:32,170 --> 01:40:34,080
They become her refuge.

968
01:40:34,170 --> 01:40:37,160
As if the whole train
was a provincial hotel,

969
01:40:37,290 --> 01:40:40,160
and she was there hiding, waiting,

970
01:40:40,210 --> 01:40:43,310
looking through the window,
safe from everything.

971
01:40:50,450 --> 01:40:54,590
Until one day, the train stops
at a random station and, distracted,

972
01:40:54,710 --> 01:40:59,260
she will look through the window
expecting the usual landscape:

973
01:40:59,790 --> 01:41:01,990
the snow-covered platforms,
the conductors,

974
01:41:02,110 --> 01:41:04,710
the passengers about to get on.

975
01:41:04,830 --> 01:41:09,030
What she ignores is that one of those
waiting for the train is Boris,

976
01:41:09,150 --> 01:41:11,510
and that when she sees him,
she will recognize him

977
01:41:11,630 --> 01:41:13,880
as if she had seen him a week ago.

978
01:41:16,830 --> 01:41:19,040
The scene takes place
in a lonely station,

979
01:41:19,360 --> 01:41:21,670
whose name we ignore
and which barely matters

980
01:41:22,320 --> 01:41:24,480
and which not even Agent 50,

981
01:41:24,570 --> 01:41:26,730
if she's still alive, must remember.

982
01:41:28,320 --> 01:41:31,400
The only thing that matters
is that at that station,

983
01:41:31,570 --> 01:41:33,400
the Mole is waiting for her.

984
01:43:57,020 --> 01:43:58,680
At first, she does nothing.

985
01:43:58,770 --> 01:44:03,040
She sits still for miles and miles,
unable to move.

986
01:44:04,200 --> 01:44:06,520
At some point, Boris stands up,

987
01:44:06,650 --> 01:44:09,360
opens the door to her cabin,
looks at her in the eye

988
01:44:09,480 --> 01:44:11,360
and sits in front of her.

989
01:44:28,420 --> 01:44:29,970
Enter.

990
01:44:34,190 --> 01:44:36,400
Boris' look is not threatening.

991
01:44:36,770 --> 01:44:39,160
It's rather kind,
as if they were old friends,

992
01:44:39,370 --> 01:44:42,200
or old lovers who meet again
after a very long time.

993
01:44:42,600 --> 01:44:45,840
Boris, without any formality,
called her by her name.

994
01:44:45,960 --> 01:44:49,240
"How are you, Nastasja Alexandrovna?"
he says.

995
01:44:50,210 --> 01:44:52,810
"You have been looking for me
all this time, isn't that right?

996
01:44:53,200 --> 01:44:55,720
Well, here I am. Here you have me."

997
01:45:11,940 --> 01:45:17,200
I'm the one you're looking for.
You hate me? I don't think so.

998
01:45:20,230 --> 01:45:24,160
I don't think you have any feelings
towards me anymore.

999
01:45:24,810 --> 01:45:27,640
But let me tell you something
just in case.

1000
01:45:29,010 --> 01:45:30,960
You don't need to hate me.

1001
01:45:32,610 --> 01:45:34,920
You don't need that, Natalia.

1002
01:45:35,650 --> 01:45:37,240
D'you know why?

1003
01:45:37,690 --> 01:45:40,920
'Cause even if you don't believe me,
we're the same.

1004
01:45:41,010 --> 01:45:42,480
Identical.

1005
01:45:43,850 --> 01:45:45,400
We don't exist anymore.

1006
01:45:46,730 --> 01:45:48,640
Neither of us.

1007
01:45:49,090 --> 01:45:50,840
We don't exist anymore.

1008
01:45:51,770 --> 01:45:53,600
And there's something else:

1009
01:45:53,770 --> 01:45:55,720
none of this exists any longer.

1010
01:45:56,610 --> 01:45:59,920
Neither the Cold War
nor the reason you fight for

1011
01:46:00,010 --> 01:46:02,360
or the nation you've given
your life to.

1012
01:46:05,130 --> 01:46:07,200
Everything will disappear, Natalia.

1013
01:46:07,850 --> 01:46:11,160
So fast you won't believe it
when it happens.

1014
01:46:12,730 --> 01:46:14,160
They have won.

1015
01:46:15,490 --> 01:46:17,360
Before you know it,

1016
01:46:17,450 --> 01:46:20,400
the world will be covered
in their posters and their noises.

1017
01:46:20,490 --> 01:46:23,640
Everyone will dance to their songs
and eat their food.

1018
01:46:24,090 --> 01:46:25,360
D'you know what?

1019
01:46:26,210 --> 01:46:27,840
They'll be happy.

1020
01:46:29,810 --> 01:46:32,680
They won't feel pain,
humiliation or sorrow.

1021
01:46:33,850 --> 01:46:35,920
They won't miss us, Natalia.

1022
01:46:39,170 --> 01:46:40,920
They'll forget about us.

1023
01:46:43,170 --> 01:46:46,400
And not in one hundred years,
or fifty, or ten...

1024
01:46:48,990 --> 01:46:50,800
but tomorrow.

1025
01:46:52,350 --> 01:46:54,780
By tomorrow we'll have disappeared.

1026
01:46:56,650 --> 01:46:57,920
Nobody will remember

1027
01:46:58,010 --> 01:47:00,440
that we fought them for the world
for an entire century,

1028
01:47:00,530 --> 01:47:04,680
that peasants and workers
fought them as equals

1029
01:47:04,770 --> 01:47:06,440
with their own weapons.

1030
01:47:08,570 --> 01:47:10,480
With their own weapons.

1031
01:47:10,850 --> 01:47:14,440
That for a century, the flag
that waved over half the world

1032
01:47:14,530 --> 01:47:18,360
wasn't that of an imperial house,
or an eagle, or some swords,

1033
01:47:18,450 --> 01:47:20,640
but a sickle and a hammer...

1034
01:47:22,090 --> 01:47:26,080
from the factories and farm lands.

1035
01:47:30,650 --> 01:47:32,840
We could have won, Natalia.

1036
01:47:33,940 --> 01:47:36,800
We were so close.
But we lost.

1037
01:47:36,850 --> 01:47:39,360
And no one will
ever think of us again.

1038
01:47:41,490 --> 01:47:43,000
Get off the train.

1039
01:47:45,530 --> 01:47:47,280
Your trip is pointless.

1040
01:47:49,160 --> 01:47:50,600
Game's over.

1041
01:48:28,040 --> 01:48:31,040
Soon after, a month or even less,

1042
01:48:31,500 --> 01:48:35,000
Agent 50 leaves the Soviet Union
and never comes back.

1043
01:48:35,810 --> 01:48:38,000
Somewhere in the world, at some point

1044
01:48:38,210 --> 01:48:41,400
that is now pointless to say,
Casterman appears.

1045
01:49:16,770 --> 01:49:22,240
IN SOUTH AMERICA

1046
01:49:39,970 --> 01:49:42,960
AT THE PRECISE MOMENT

1047
01:49:43,410 --> 01:49:46,450
THEY COME TO KILL THEM

1048
01:51:16,750 --> 01:51:34,550
IN BRUSSELS

1049
01:52:06,410 --> 01:52:07,740
Hello.

1050
01:52:07,860 --> 01:52:12,220
Casterman, my man is in position.
He's coming in in a couple of seconds.

1051
01:52:14,210 --> 01:52:18,420
You are the customer, Schneider.
The customer is always right.

1052
01:52:19,390 --> 01:52:22,740
Your women are not there, are they?

1053
01:52:22,860 --> 01:52:26,820
- No.
- Are we sure about that, Casterman?

1054
01:52:29,390 --> 01:52:31,780
There's something worrying me,
Casterman.

1055
01:52:32,260 --> 01:52:36,060
Something in your group of women
worries me.

1056
01:52:36,970 --> 01:52:41,220
There is one of them.
One of them, Casterman.

1057
01:52:41,910 --> 01:52:44,460
She is a little mystery,
isn't that so?

1058
01:52:45,640 --> 01:52:48,220
I don't know what you're
talking about, Schneider.

1059
01:52:48,340 --> 01:52:51,260
Well, there aren't many options,
are there, my friend?

1060
01:52:51,480 --> 01:52:55,180
The Polish girl and the girl
from the Tropic we know quite well.

1061
01:52:55,860 --> 01:53:01,060
And our poor Bárbara...
Well, we will miss her here.

1062
01:53:02,400 --> 01:53:04,380
I am really sorry, Schneider.

1063
01:53:05,040 --> 01:53:07,220
I don't mean them, Casterman.

1064
01:53:08,010 --> 01:53:09,860
I mean the other one,

1065
01:53:10,700 --> 01:53:12,220
the Blonde.

1066
01:53:12,390 --> 01:53:13,100
Fox.

1067
01:53:13,830 --> 01:53:15,060
Fox.

1068
01:53:23,870 --> 01:53:24,860
Fox, yes...

1069
01:53:26,880 --> 01:53:31,220
Well, she's new in this business,
right, Casterman?

1070
01:53:32,600 --> 01:53:34,700
Well... She has done other jobs.

1071
01:53:36,590 --> 01:53:38,700
Not like this one, Casterman.

1072
01:53:38,980 --> 01:53:42,980
Not killing other agents.
Not doing the dirty work.

1073
01:53:43,100 --> 01:53:45,780
She has been involved
in difficult operations.

1074
01:53:45,990 --> 01:53:47,740
What you call "dirty work".

1075
01:53:49,640 --> 01:53:51,540
Not as dirty as this, Casterman.

1076
01:53:53,740 --> 01:53:55,100
Maybe not as much...

1077
01:53:55,660 --> 01:53:57,380
What do we know about her, Casterman?

1078
01:53:59,470 --> 01:54:03,060
She was born in a military base,
in Pakistan, in the sixties.

1079
01:54:03,940 --> 01:54:06,300
Her father was an F-15 pilot.

1080
01:54:06,470 --> 01:54:09,660
Her mother, a Muslim,
converted to Christianity.

1081
01:54:09,860 --> 01:54:11,860
She was raised on the base.

1082
01:54:12,090 --> 01:54:14,580
She piloted her first Bell
at the age of 12.

1083
01:54:14,860 --> 01:54:18,860
At age 13 she was trained
in Afghanistan to pilot the enemy MIGs.

1084
01:54:19,090 --> 01:54:22,700
She was the first woman ever
to pilot an MIG, and the youngest.

1085
01:54:23,060 --> 01:54:25,630
Among soviet pilots, she was
some sort of a myth, a girl that...!

1086
01:54:25,750 --> 01:54:27,350
And what about '75?

1087
01:54:30,520 --> 01:54:32,180
What about '75?

1088
01:54:32,950 --> 01:54:36,220
February 10,1975.

1089
01:54:36,370 --> 01:54:38,780
The Chinook incident, Casterman.

1090
01:54:43,410 --> 01:54:44,660
What about it?

1091
01:54:44,750 --> 01:54:46,060
It was her, right?

1092
01:54:47,690 --> 01:54:48,940
It's unknown.

1093
01:54:49,320 --> 01:54:54,140
It was her, Casterman.
She disobeyed the orders.

1094
01:54:54,550 --> 01:54:57,540
She fired against her own men.

1095
01:54:59,880 --> 01:55:04,480
She's a traitor...
A traitor!

1096
01:55:07,960 --> 01:55:09,980
It was never proved it was her.

1097
01:55:10,730 --> 01:55:14,740
What is she doing there, Casterman?
Why her?

1098
01:55:15,820 --> 01:55:19,700
She is a good pilot.
We needed someone who could fly.

1099
01:55:19,970 --> 01:55:21,140
We needed...

1100
01:55:21,260 --> 01:55:23,180
This is insane, Casterman.

1101
01:55:25,070 --> 01:55:26,760
I'm sorry.

1102
01:55:28,210 --> 01:55:30,780
There wasn't much time.
We needed to find a pilot.

1103
01:55:30,870 --> 01:55:32,860
It was a mistake, Casterman.

1104
01:55:33,560 --> 01:55:35,420
A mistake.

1105
01:55:36,170 --> 01:55:37,580
I am really sorry.

1106
01:55:39,030 --> 01:55:41,900
In any case, they are not there,
are they?

1107
01:55:42,300 --> 01:55:43,940
They will not interfere.

1108
01:55:45,920 --> 01:55:47,080
No.

1109
01:55:47,300 --> 01:55:50,420
Nobody will interfere
with my man's job, right?

1110
01:55:53,030 --> 01:55:54,210
No.

1111
01:55:55,650 --> 01:56:02,380
Not them, not anyone.

1112
01:56:03,680 --> 01:56:06,140
I hope so, Casterman.

1113
01:56:06,520 --> 01:56:07,860
I hope so.

1114
01:57:07,110 --> 01:57:08,300
There's that idiot.

1115
01:57:15,070 --> 01:57:16,540
He will ruin it all.

1116
01:57:16,990 --> 01:57:19,140
He doesn't know who he's messing with.

1117
01:57:21,670 --> 01:57:22,900
What do we do?

1118
01:57:23,020 --> 01:57:24,100
Leave him.

1119
01:57:24,220 --> 01:57:26,020
Let the other women take care of him.

1120
01:57:27,090 --> 01:57:28,940
I'd say it even works to our favour.

1121
01:57:31,350 --> 01:57:33,580
Very well. This is what we'll do.

1122
01:57:34,330 --> 01:57:35,580
Listen to me carefully.

1123
01:57:36,390 --> 01:57:38,860
Schneider's man will strike any time now.

1124
01:57:39,970 --> 01:57:41,780
That's when we split in two.

1125
01:57:43,080 --> 01:57:44,550
Understood?

1126
01:57:46,320 --> 01:57:48,940
Lena and I will go through the front.

1127
01:57:51,190 --> 01:57:55,020
When they have finished
with Schneider's man, we open fire.

1128
01:57:55,730 --> 01:57:58,780
They won't see it coming.
Is it clear, Lena?

1129
01:57:58,950 --> 01:58:00,220
It's clear, Ma'am...

1130
01:58:02,190 --> 01:58:07,700
Meanwhile, Bethania and Fox
will circle the airfield from the back.

1131
01:58:08,630 --> 01:58:10,610
Bethania will take
care of the scientist.

1132
01:58:10,920 --> 01:58:13,500
Fox will finish them off from behind.

1133
01:58:14,480 --> 01:58:18,260
They won't see it coming, I assure you.

1134
01:58:19,080 --> 01:58:20,340
Is it clear?

1135
01:58:20,460 --> 01:58:21,740
Crystal clear.

1136
01:58:35,310 --> 01:58:36,300
Fox?

1137
01:58:37,190 --> 01:58:40,700
What's wrong, Fox?
Have you understood the plan or not?

1138
01:58:43,670 --> 01:58:45,400
I won't do it, Ma'am.

1139
01:58:48,770 --> 01:58:50,940
What the hell are you
talking about, Fox?

1140
01:58:51,060 --> 01:58:54,500
I will not do it. I will not kill
those women from behind.

1141
01:58:54,830 --> 01:58:57,060
What the hell is wrong wtih you, Fox?
Are you crazy?

1142
01:58:58,040 --> 01:59:02,220
No, Ma'am. I'm not crazy.
Those women are brave.

1143
01:59:03,340 --> 01:59:07,300
And Fox does not consent
to the crime of murdering

1144
01:59:07,420 --> 01:59:09,500
four brave ones that way.

1145
02:01:48,990 --> 02:01:51,400
To Hugo...

1146
02:01:52,640 --> 02:01:55,880
Episode IV

1147
02:02:12,260 --> 02:02:14,770
They are there.
They've always been.

1148
02:02:16,380 --> 02:02:18,490
Long before we came.

1149
02:02:20,620 --> 02:02:22,050
They saw us arrive.

1150
02:02:23,180 --> 02:02:26,250
They saw each and every one of
our advancements and mistakes.

1151
02:02:27,000 --> 02:02:28,660
Like a nosy old woman.

1152
02:02:28,780 --> 02:02:31,850
Or a couple of old people, who
observe the new neighbors arrive,

1153
02:02:32,180 --> 02:02:35,600
full of illusion,
doing for the first time

1154
02:02:35,720 --> 02:02:38,630
the same things they've
done for centuries.

1155
02:02:40,820 --> 02:02:42,170
Mean old people.

1156
02:02:43,460 --> 02:02:44,570
Those are them.

1157
02:02:44,940 --> 02:02:45,970
Mean old people.

1158
02:02:46,500 --> 02:02:48,930
Looking out the window and thinking:

1159
02:02:49,620 --> 02:02:50,690
you'll see.

1160
02:02:52,380 --> 02:02:53,450
You'll see.

1161
02:05:05,210 --> 02:05:09,280
Chapter 1
Spring

1162
02:05:50,540 --> 02:05:52,650
Tuesday, September 13.

1163
02:05:53,700 --> 02:05:57,210
Today it's five years
since we started shooting.

1164
02:05:59,230 --> 02:06:00,260
Six...

1165
02:06:00,540 --> 02:06:01,450
Six years.

1166
02:06:03,100 --> 02:06:06,410
Today it's six years
since we started shooting.

1167
02:06:08,380 --> 02:06:10,490
A small celebration is expected,

1168
02:06:11,820 --> 02:06:13,170
but things...

1169
02:06:13,660 --> 02:06:14,620
No.

1170
02:06:14,740 --> 02:06:16,610
A small celebration is expec...

1171
02:06:17,660 --> 02:06:20,110
A small celebration is expected,

1172
02:06:20,470 --> 02:06:23,450
but things with the girls are a bit awkward.

1173
02:06:33,860 --> 02:06:37,340
- Wait. I can't remember what it says...
- To make things worse...

1174
02:06:38,020 --> 02:06:42,530
To make things worse, I invited
the new producer so she can meet them.

1175
02:06:44,460 --> 02:06:45,640
Could meet them.

1176
02:06:46,100 --> 02:06:47,620
So she could meet them.

1177
02:06:48,100 --> 02:06:50,340
"So she could meet them."
Grammatical concordance.

1178
02:06:50,700 --> 02:06:54,090
To make things worse,
I invited the new producer...

1179
02:06:55,740 --> 02:06:58,360
To make things worse, I
invited the new co-producer...

1180
02:06:58,480 --> 02:06:59,980
to meet them.

1181
02:07:03,700 --> 02:07:04,660
But...

1182
02:07:07,590 --> 02:07:08,570
But...

1183
02:07:20,980 --> 02:07:23,390
I'm not sure it was a good idea.

1184
02:07:31,980 --> 02:07:34,170
I hope that nothing bad happens.

1185
02:07:34,950 --> 02:07:36,670
That things turn out fine.

1186
02:07:37,980 --> 02:07:39,570
I hope things turn out fine.

1187
02:07:40,060 --> 02:07:41,370
That nothing bad happens.

1188
02:07:42,610 --> 02:07:44,190
That we keep the peace.

1189
02:07:46,670 --> 02:07:47,700
Cut.

1190
02:07:47,820 --> 02:07:51,290
Is it necessary for the
musicians to rehearse now?

1191
02:07:51,620 --> 02:07:54,140
- I had in mind to record ambient sounds.
- I don't know.

1192
02:07:54,260 --> 02:07:55,890
No, come on. I mean...
Why is it...

1193
02:07:56,010 --> 02:07:57,580
- I don't know!
- Can I ask him...

1194
02:07:57,600 --> 02:07:58,910
I don't know, I don't know,
I don't know...

1195
02:07:58,930 --> 02:08:00,630
I'm writing this thing.

1196
02:08:00,750 --> 02:08:03,000
- Then what should I do?
- I don't know.

1197
02:08:03,270 --> 02:08:08,260
"I don't know, I don't know"...
That's all he's been saying for a week.

1198
02:08:08,380 --> 02:08:11,620
Same with me... "I don't know"...
Mr. I-don't-know.

1199
02:08:11,740 --> 02:08:14,260
That's funny... Mr. I-don't-know.
Or "Joe I-don't-know"...

1200
02:08:14,380 --> 02:08:18,400
It isn't much to ask...
Just an ounce of precision,

1201
02:08:18,520 --> 02:08:22,980
a range to see things,
assess the situation, gauge...

1202
02:08:23,100 --> 02:08:25,420
- Is that the word? "Gauge"?
- I guess.

1203
02:08:25,540 --> 02:08:27,620
I "guess" "gauge” is right.
It's a tongue twister.

1204
02:08:27,740 --> 02:08:30,540
I guess I gauge I gauge I guess.

1205
02:08:30,660 --> 02:08:32,100
What's that? Cider or champagne?

1206
02:08:32,220 --> 02:08:33,410
There it says cider.

1207
02:08:33,530 --> 02:08:36,220
If I have to be honest, I prefer cider.

1208
02:08:36,340 --> 02:08:39,400
I don't know why it
has such a bad reputation.

1209
02:08:40,100 --> 02:08:42,200
We could have brought some glasses...

1210
02:08:42,660 --> 02:08:44,660
It tastes like water.

1211
02:08:44,780 --> 02:08:47,020
Champagne or cider, it's the same.

1212
02:08:47,140 --> 02:08:49,780
Lowering the standards
What's up? No budget?

1213
02:08:49,900 --> 02:08:51,130
Tell the man.

1214
02:08:51,250 --> 02:08:53,620
- What's up with me!?
- This looks like an amateur production.

1215
02:08:53,740 --> 02:08:54,730
I tell you.

1216
02:08:55,060 --> 02:08:56,970
No preparation, all of a sudden.

1217
02:08:57,090 --> 02:09:00,370
And now with this Canada thing
they caught me by surprise.

1218
02:09:01,030 --> 02:09:03,230
I didn't know what to do.
I had to look it up...

1219
02:09:03,350 --> 02:09:06,050
in a children's encyclopedia
I had at home. "I Know It All".

1220
02:09:06,170 --> 02:09:08,940
The musicians are rehearsing
on the second floor.

1221
02:09:09,060 --> 02:09:10,980
Right there.
Through that stairway.

1222
02:09:11,100 --> 02:09:13,450
- Do you know "I Know It All"?
- He wrote it.

1223
02:09:13,570 --> 02:09:14,860
Very funny.

1224
02:09:14,980 --> 02:09:16,690
Right! The Know-it-all!

1225
02:09:17,020 --> 02:09:20,690
The Know-it-all knows nothing. I know it all,
except what we have to do in a week's time.

1226
02:09:20,980 --> 02:09:23,570
"I Know Nothing", that should
be the encyclopedia's title.

1227
02:09:23,690 --> 02:09:28,530
- That's funny. I know nothing, and
then he'd be a "Know-nothing".

1228
02:09:29,220 --> 02:09:30,970
"I Know Nothing" by
"Joe I-don't-know".

1229
02:09:31,300 --> 02:09:33,580
- Could you knock it off?
- I don't know.

1230
02:09:33,600 --> 02:09:36,860
- But listen here... It wasn't like this in the other episodes...
- No, no, no, don't talk to me about the other episodes.

1231
02:09:36,880 --> 02:09:38,580
- ...there was a script.

1232
02:09:38,700 --> 02:09:40,940
- How long have we been at this?
- More than four years.

1233
02:09:40,960 --> 02:09:43,110
- Today it's six years...
- Here we have a series of more modern ideas!

1234
02:09:43,130 --> 02:09:43,840
- Exactly!
- Modernity!

1235
02:09:43,960 --> 02:09:46,410
- We're going backwards, from bad to worse.
- Modernity!

1236
02:09:46,530 --> 02:09:49,010
Accordeon man, could you go upstairs
with the other musicians, please?

1237
02:09:49,130 --> 02:09:49,860
Tell the Mr. here...

1238
02:09:49,980 --> 02:09:51,060
Yes, just a second.

1239
02:09:51,100 --> 02:09:52,680
- What's he gonna say? "I don't know".
- Again with the script...

1240
02:09:52,700 --> 02:09:54,220
I've told you there's something written!

1241
02:09:54,340 --> 02:09:55,300
There's something written?

1242
02:09:55,420 --> 02:09:57,180
- Yes... vaguely...
- Vaguely?

1243
02:09:57,300 --> 02:10:00,140
There are drafts... These things take
time... And lately I've been...

1244
02:10:00,260 --> 02:10:01,300
...always abroad.

1245
02:10:01,420 --> 02:10:03,130
- Yeah, lately... what's wrong?
- Lately?

1246
02:10:03,250 --> 02:10:05,540
Lately. Weren't we going
to play natives in the sixth part?

1247
02:10:05,660 --> 02:10:10,260
No... In the sixth you play captive women. This is
something else, it's a native. A Canadian redskin.

1248
02:10:10,380 --> 02:10:12,690
- Two native women is too much.
- I'm telling you, it's not two natives.

1249
02:10:12,810 --> 02:10:14,460
One is a native,
the other one, a captive.

1250
02:10:14,580 --> 02:10:15,250
This went like this...

1251
02:10:15,270 --> 02:10:17,030
- One is a native, the other one is a white woman...
- It's too much.

1252
02:10:17,050 --> 02:10:19,260
- What does she have? A bow and arrow?
- Bow and arrow?

1253
02:10:19,380 --> 02:10:20,230
I don't know yet...

1254
02:10:20,350 --> 02:10:21,780
"I don't know yet"?
Bow and arrow?

1255
02:10:21,900 --> 02:10:23,210
I don't know yet!

1256
02:10:23,670 --> 02:10:24,980
Sorry... Does this go like this?

1257
02:10:25,100 --> 02:10:26,100
I don't know... Is it like this?

1258
02:10:26,220 --> 02:10:27,300
It should have some more straps...

1259
02:10:27,420 --> 02:10:28,460
That's right... Needs more straps.

1260
02:10:28,580 --> 02:10:30,220
We are not asking you about straps.

1261
02:10:30,340 --> 02:10:31,770
We look like mother and daughter...

1262
02:10:31,980 --> 02:10:33,360
Come on, don't exaggerate...

1263
02:10:33,480 --> 02:10:36,170
We could put something else so
that you look more similar.

1264
02:10:36,180 --> 02:10:38,410
- That's right... Something similar.
- Something like what?

1265
02:10:38,530 --> 02:10:40,780
I don't know, a step, something...
An apple box...

1266
02:10:40,900 --> 02:10:41,770
- I don't know.
- A what?

1267
02:10:41,900 --> 02:10:42,900
They are walking in the scene...

1268
02:10:43,020 --> 02:10:46,450
- We're still not sure if they are walking.
- We'll look like the two Star Wars robots...

1269
02:10:47,040 --> 02:10:48,130
R2D2.

1270
02:10:48,380 --> 02:10:50,300
Hev, sorry... Is this for real?

1271
02:10:50,420 --> 02:10:52,050
- Yes, it's an idea...
- An idea?

1272
02:10:52,380 --> 02:10:54,100
Yes, it's an idea
An experiment...

1273
02:10:54,220 --> 02:10:55,770
The costume is quite spot-on.

1274
02:10:55,780 --> 02:10:57,580
It's a man's costume..
Do I play a man?

1275
02:10:57,700 --> 02:10:58,660
It's an idea!

1276
02:10:58,780 --> 02:11:00,180
The idea is that I play a man.

1277
02:11:00,300 --> 02:11:03,940
I don't know yet... I thought it was fun...
It's an idea... An experiment.

1278
02:11:04,060 --> 02:11:06,130
I feel we don't share the
same humor anymore...

1279
02:11:07,300 --> 02:11:10,140
I'm sorry... Do we
have scenes with her?

1280
02:11:10,260 --> 02:11:11,580
I don't know,
it's not defined yet...

1281
02:11:11,700 --> 02:11:14,370
Do we have to talk to her, interact?
She says she doesn't know...

1282
02:11:14,900 --> 02:11:16,730
Me neither. I'm still defining...

1283
02:11:16,850 --> 02:11:20,020
At least tell us, is she a native
or just dressed up as one?

1284
02:11:20,140 --> 02:11:20,920
I'm a native, right?

1285
02:11:21,040 --> 02:11:23,080
How come you're a native?
Weren't we all natives in the sixth?

1286
02:11:23,200 --> 02:11:24,170
I'm deciding.

1287
02:11:24,340 --> 02:11:26,420
Is she a native or just dressed up?

1288
02:11:26,540 --> 02:11:28,460
- I don't know... What's the difference?
- What's the difference?

1289
02:11:28,480 --> 02:11:31,080
It's not the same speaking to a native woman
as to one who's dressed up as a native.

1290
02:11:31,100 --> 02:11:32,390
I'm a native woman...

1291
02:11:32,510 --> 02:11:33,890
She doesn't look too native.

1292
02:11:34,140 --> 02:11:35,450
Is there dialogue?
Do we have to speak?

1293
02:11:35,570 --> 02:11:37,030
Yeah... What do I speak in?
In "native"?

1294
02:11:37,150 --> 02:11:39,660
No... What is it?
Canadian? French?

1295
02:11:39,780 --> 02:11:42,610
- French again?
- No, no, not French, please!

1296
02:11:42,620 --> 02:11:46,170
Is there dialogue? Will there be dialogue?
Will it be written down?

1297
02:11:46,290 --> 02:11:46,970
I don't know.

1298
02:11:47,090 --> 02:11:49,410
I'm sorry... What's the script situation?

1299
02:11:49,640 --> 02:11:51,060
There are "drafts".

1300
02:11:51,180 --> 02:11:53,890
I need to know something... If we have
to learn French, I really don't know.

1301
02:11:54,010 --> 02:11:56,570
- I don't think it'll be in French!
- "I don't think" is no good... No good for me.

1302
02:11:56,690 --> 02:12:00,940
- All right, if you don't want French, then it won't be French!
- I'm sorry, it's a simple question. Will we ever have a script?

1303
02:12:01,060 --> 02:12:02,660
- Again with the script!
- This is exhausting...

1304
02:12:02,780 --> 02:12:09,940
Let's slow down... Can we all get together tomorrow,
for a while at least, to define the bare...

1305
02:12:10,060 --> 02:12:11,090
I can't tomorrow.

1306
02:12:11,580 --> 02:12:12,810
And why not?

1307
02:12:14,030 --> 02:12:14,980
I have a trip..

1308
02:12:15,100 --> 02:12:16,170
Always traveling!

1309
02:12:16,420 --> 02:12:18,780
No, no, hang on, hang on!
Can't you leave some other day?

1310
02:12:18,900 --> 02:12:21,330
- We need a script.
- A script...

1311
02:12:21,450 --> 02:12:24,410
I'm sorry... It's not ill will. I'm not
traveling for pleasure... I've got to work...

1312
02:12:24,700 --> 02:12:25,410
For what?

1313
02:12:25,540 --> 02:12:26,770
- For this...
- Doing what?

1314
02:12:27,180 --> 02:12:28,980
What do you mean,
doing what? Shooting...

1315
02:12:29,100 --> 02:12:30,370
Shooting what?

1316
02:12:31,100 --> 02:12:32,210
Trees.

1317
02:12:32,420 --> 02:12:33,610
Shooting... things for the movie...

1318
02:12:33,730 --> 02:12:35,920
- Trees!
- Among which, there are trees...

1319
02:12:36,040 --> 02:12:38,940
Don't you see that all you've been doing
for an entire year is shooting trees?

1320
02:12:39,060 --> 02:12:39,890
But why trees?

1321
02:12:39,900 --> 02:12:41,700
Can you please explain instead of
staring at that phone, please...?

1322
02:12:41,820 --> 02:12:43,110
- Trumpet trees!
- Trumpet trees?

1323
02:12:43,230 --> 02:12:46,170
And is it necessary to shoot
the trumpet trees now?

1324
02:12:46,290 --> 02:12:49,220
Right... Can't that wait, you shoot with
us and then you leave to shoot the trees...?

1325
02:12:49,340 --> 02:12:50,380
No, that's not possible.

1326
02:12:50,500 --> 02:12:53,450
It's very simple... It's spring time.
Spring time!

1327
02:12:53,570 --> 02:12:56,180
They are blossoming.
Now 's the time.

1328
02:12:56,300 --> 02:12:59,310
They don't wait! We need to shoot them
in full bloom. They cannot wait...

1329
02:12:59,430 --> 02:13:00,860
Well, I cannot wait either.

1330
02:13:00,980 --> 02:13:02,890
You can wait more than a trumpet tree.

1331
02:13:03,500 --> 02:13:04,970
Are you serious?

1332
02:13:05,980 --> 02:13:09,730
Do you realize you're telling us
you'd rather shoot a tree than us?

1333
02:13:09,850 --> 02:13:11,360
That's not what I'm saying.
I'm talking about spring!

1334
02:13:11,480 --> 02:13:12,940
I don't give a fuck about spring!

1335
02:13:13,060 --> 02:13:17,870
Can't you see it's a bit
shocking for us to feel

1336
02:13:17,990 --> 02:13:22,520
that you clearly prefer
shooting a tree than us?

1337
02:13:23,140 --> 02:13:25,330
- Don't be ridiculous.
- A tree!

1338
02:13:25,830 --> 02:13:27,590
I find it ridiculous
to have to explain this...

1339
02:13:27,710 --> 02:13:31,740
It is during spring that the phenomenon known as
blossoming occurs. Trees and plants generate...

1340
02:13:31,860 --> 02:13:35,980
We know what blossoming is. We don't need you
to explain to us what blossoming or spring are.

1341
02:13:36,100 --> 02:13:37,730
We need to talk about "The Spider".

1342
02:13:37,940 --> 02:13:39,580
Let's talk about "The Spider".
What's with "The Spider"?

1343
02:13:39,700 --> 02:13:41,050
What do you mean,
"what's with "The Spider""?

1344
02:13:41,140 --> 02:13:44,180
We need you to take care of "The Spider".
We've been with "The Spider" for five years.

1345
02:13:44,300 --> 02:13:45,290
More than five!

1346
02:13:45,500 --> 02:13:47,440
Today it's exactly six years.

1347
02:13:47,560 --> 02:13:48,210
Six?

1348
02:13:48,220 --> 02:13:48,840
Six.

1349
02:13:48,860 --> 02:13:49,400
Six!

1350
02:13:49,420 --> 02:13:50,330
Happy birthday.

1351
02:13:50,450 --> 02:13:53,700
Let's see if you get it... It's not
a lack of commitment with "The Spider".

1352
02:13:53,820 --> 02:13:55,500
This is a fantastic episode.

1353
02:13:55,620 --> 02:13:57,010
It's a fantastic plot.

1354
02:13:57,020 --> 02:13:59,410
It's a fantastic plot that includes trees.

1355
02:13:59,540 --> 02:14:02,420
And trees blossom in spri...

1356
02:14:02,540 --> 02:14:04,060
Again with the spring! Right?

1357
02:14:04,180 --> 02:14:05,380
Someone rang the door.

1358
02:14:05,500 --> 02:14:06,130
I'm coming.

1359
02:14:06,140 --> 02:14:06,900
- Wait...
- Who is it?

1360
02:14:07,020 --> 02:14:07,700
Should I get it?

1361
02:14:07,820 --> 02:14:09,180
Wait. First I want to explain to you...

1362
02:14:09,300 --> 02:14:10,620
What? You haven't told them?

1363
02:14:10,740 --> 02:14:11,880
Tell us what?

1364
02:14:12,000 --> 02:14:13,930
Are you insane
or just an idiot?

1365
02:14:14,000 --> 02:14:15,920
There was no time. I was
about to explain it to them and...

1366
02:14:16,040 --> 02:14:17,240
Explain what to us?

1367
02:14:20,580 --> 02:14:22,820
Can you explain to us
what's going on?

1368
02:14:22,940 --> 02:14:25,940
Yes. Calm down.
First I need you to calm down.

1369
02:14:26,060 --> 02:14:30,210
To calm down we need you
to explain to us what's going on.

1370
02:14:30,330 --> 02:14:34,860
Take it easy. The person coming now
is someone who is joining the project...

1371
02:14:34,980 --> 02:14:36,010
- "Joining the project"?
- What?

1372
02:14:36,130 --> 02:14:37,180
"Joining the project".

1373
02:14:37,300 --> 02:14:40,050
- Speak!
- Well, her name is Violeta, and she...

1374
02:14:40,170 --> 02:14:41,210
- she is joining...
- Violeta?

1375
02:14:41,330 --> 02:14:42,420
What is she?
A producer?

1376
02:14:43,170 --> 02:14:44,820
She is some sort of...

1377
02:14:44,940 --> 02:14:45,930
Producer...

1378
02:14:46,250 --> 02:14:48,060
Who is going to help
us with some funds...

1379
02:14:48,180 --> 02:14:48,800
- Funds?
- With some...

1380
02:14:48,920 --> 02:14:49,730
This is weird.

1381
02:14:49,850 --> 02:14:51,070
There's nothing weird about this!

1382
02:14:51,190 --> 02:14:55,650
It's just someone who is
selflessly joining the project...

1383
02:14:55,770 --> 02:14:57,660
with the best of intentions!

1384
02:14:57,780 --> 02:15:00,500
The only thing I ask of you is that
you don't create any tension.

1385
02:15:00,620 --> 02:15:01,940
That you don't make a scene.

1386
02:15:02,060 --> 02:15:03,330
- Treat her right.
- This is outrageous...

1387
02:15:03,450 --> 02:15:05,300
Don't give her a hard time!

1388
02:15:05,420 --> 02:15:06,300
Hello...

1389
02:15:06,420 --> 02:15:08,600
- Hello, hello, hello...
- How are you?

1390
02:15:08,720 --> 02:15:11,100
- Hi, I'm Violeta...
- Yes, they told us...

1391
02:15:11,220 --> 02:15:13,490
- What did they tell you?
- That you are Violeta.

1392
02:15:13,860 --> 02:15:16,260
- Yes... Why? Is there something wrong?
- No, no, no...

1393
02:15:16,380 --> 02:15:17,740
Is this a bad time?

1394
02:15:17,860 --> 02:15:20,020
- No, not at all.
- I can come back some other time...

1395
02:15:20,140 --> 02:15:22,730
- No, really!
- Were you in the middle of something?

1396
02:15:22,850 --> 02:15:25,230
- Yes, of a conversation.
- Of an inconsequential conversation.

1397
02:15:25,350 --> 02:15:26,290
About the film...

1398
02:15:26,410 --> 02:15:27,890
- "The Spider".
- Yeah, I know that...

1399
02:15:28,010 --> 02:15:29,860
Violeta is joining the project...

1400
02:15:29,980 --> 02:15:31,500
No, I don't know. It's a possibility...

1401
02:15:31,620 --> 02:15:32,500
In what capacity?

1402
02:15:32,620 --> 02:15:34,620
- Well, in the capacity of...
- In the capacity of producer...

1403
02:15:34,740 --> 02:15:36,360
- Producer?
- What kind of producer?

1404
02:15:36,480 --> 02:15:38,000
Well, that's a very broad term.

1405
02:15:38,120 --> 02:15:39,210
Main producer?

1406
02:15:39,330 --> 02:15:42,250
Yes. Main producer. To take the project
to fruition. You haven't told them anything?

1407
02:15:42,260 --> 02:15:44,220
- Well, I told them the basics.
- No. He hasn't told us anything.

1408
02:15:44,340 --> 02:15:45,180
Ah... That's weird.

1409
02:15:45,300 --> 02:15:48,530
- I was about to tell them the moment you...
- And tell me... It's Violeta, right?

1410
02:15:48,650 --> 02:15:50,820
Right, Violeta... And you?
Who would you be?

1411
02:15:50,940 --> 02:15:52,010
- Me?
- Yes.

1412
02:15:52,420 --> 02:15:55,660
I'm one of the people who's been
shooting "The Spider", for six years now.

1413
02:15:55,780 --> 02:15:57,540
Today it's six years...

1414
02:15:57,660 --> 02:15:59,460
Wow... Six years. That's a lot...

1415
02:15:59,580 --> 02:16:02,980
And tell me, Violeta...
What exactly would your role be?

1416
02:16:03,100 --> 02:16:04,930
Yeah... Because I don't quite see...

1417
02:16:05,050 --> 02:16:09,650
Well... You don't need to worry because most
of what I'd do if I finally decided to join...

1418
02:16:09,660 --> 02:16:11,700
- Oh... It's not certain.
- It's highly likely...

1419
02:16:11,820 --> 02:16:14,300
I might not feel comfortable
with the project...

1420
02:16:14,420 --> 02:16:16,260
They might not feel
comfortable with me...

1421
02:16:16,380 --> 02:16:20,330
- Why wouldn't they feel comfortable...?
- It could very easily happen.

1422
02:16:20,340 --> 02:16:21,510
I don't see that happening...

1423
02:16:21,630 --> 02:16:23,500
I'm sorry. We interrupted you.

1424
02:16:23,620 --> 02:16:26,820
You were saying that
"most of what you'd do is..."

1425
02:16:26,940 --> 02:16:28,540
..."if you finally decided to join..."

1426
02:16:28,660 --> 02:16:30,420
Right... You were telling
us about your role...

1427
02:16:30,540 --> 02:16:32,010
If you finally decided to join...

1428
02:16:32,130 --> 02:16:35,680
I was going to say that my role
would be rather invisible for you.

1429
02:16:35,890 --> 02:16:37,050
"Invisible"?

1430
02:16:37,220 --> 02:16:39,880
What's an invisible role like?

1431
02:16:40,460 --> 02:16:41,980
I mean that we wouldn't meet...

1432
02:16:42,100 --> 02:16:43,700
Well, it wouldn't be
quite like that either...

1433
02:16:43,820 --> 02:16:46,410
- We wouldn't meet?
- We wouldn't need to...

1434
02:16:46,530 --> 02:16:50,940
Wait, I don't follow... You'd be working
in the film but you wouldn't meet us...

1435
02:16:51,060 --> 02:16:53,100
I don't know how you'd do that.
I don't know if you know that...

1436
02:16:53,220 --> 02:16:54,210
What, tell me...

1437
02:16:54,330 --> 02:16:57,420
No. It's just that we appear
in quite a lot of this film...

1438
02:16:57,540 --> 02:17:00,090
- In all the scenes, basically...
- All of them?

1439
02:17:02,580 --> 02:17:03,330
Excuse me?

1440
02:17:03,820 --> 02:17:05,940
Yeah... I'm asking...
In all of them?

1441
02:17:06,060 --> 02:17:08,700
- Yes, most of them.
- All of them.

1442
02:17:09,410 --> 02:17:10,400
I see...

1443
02:17:10,820 --> 02:17:11,850
What's up?

1444
02:17:13,140 --> 02:17:15,130
No, I thought that...

1445
02:17:15,700 --> 02:17:16,570
That what?

1446
02:17:17,580 --> 02:17:21,130
That there were some scenes
in which you didn't appear...

1447
02:17:21,540 --> 02:17:22,900
Oh, sorry.

1448
02:17:23,020 --> 02:17:25,410
That in fact there were
quite a lot lately...

1449
02:17:26,480 --> 02:17:28,440
That's what I heard, at least...

1450
02:17:28,560 --> 02:17:29,980
What did you hear?

1451
02:17:30,940 --> 02:17:33,460
That... That the script was not that...

1452
02:17:33,580 --> 02:17:34,690
- Girls.
- That what?

1453
02:17:34,820 --> 02:17:37,370
- "That the script was not that..."
- "That" nothing.

1454
02:17:37,380 --> 02:17:39,130
That it was not that
focused on you...

1455
02:17:39,260 --> 02:17:41,450
- That's what you heard...
- You told me about it.

1456
02:17:41,570 --> 02:17:43,710
No, they appear in almost the entire...

1457
02:17:43,830 --> 02:17:47,020
- What else did he tell you?
- He told me part of the story...

1458
02:17:47,140 --> 02:17:48,510
He told you the story...?

1459
02:17:48,630 --> 02:17:51,850
He told me a fantastic plot
which I found very interesting...

1460
02:17:51,860 --> 02:17:54,000
- She had to read the famous drafts...
- A fantastic plot...

1461
02:17:54,120 --> 02:17:56,180
- A plot with trees...
- Trees?

1462
02:17:56,300 --> 02:17:58,650
- He didn't mention you girls, but...
- Hang on...

1463
02:17:58,670 --> 02:18:00,710
- They were merely drafts!
- Maybe you told me another part...

1464
02:18:00,730 --> 02:18:02,290
Hey, Rosa, can I ask you a question?

1465
02:18:02,410 --> 02:18:05,700
- Are you talking to me?
- Yes, you're here to do what precisely?

1466
02:18:05,820 --> 02:18:07,610
Well, at this point
it's not very clear...

1467
02:18:07,730 --> 02:18:09,730
- To help!
- To help what...?

1468
02:18:09,740 --> 02:18:11,290
What's certain is
that I'm not here to...

1469
02:18:11,410 --> 02:18:14,780
Rosa, are you aware that we've been
putting up with this for six years?

1470
02:18:14,900 --> 02:18:16,250
If you call me Rosa again.

1471
02:18:16,370 --> 02:18:17,900
- Easy, girls...
- What happens?

1472
02:18:18,020 --> 02:18:20,660
- I'm here to do my job.
- Which would be what?

1473
02:18:20,680 --> 02:18:23,110
Well, in any case, I'm not sure it is
something I should discuss with you...

1474
02:18:23,480 --> 02:18:25,460
I'm not used to giving
explanations to my actresses...

1475
02:18:25,580 --> 02:18:28,660
- Your actresses?
- We would be "your actresses"?

1476
02:18:28,780 --> 02:18:30,650
It is usually the other way around.

1477
02:18:30,770 --> 02:18:34,060
Yes, the other way around...
I don't give explanations to you...

1478
02:18:34,180 --> 02:18:35,220
Can we calm down?

1479
02:18:35,340 --> 02:18:37,130
You're the one who gives
explanations to me...

1480
02:18:37,250 --> 02:18:38,290
Oh, I see.

1481
02:18:38,300 --> 02:18:41,050
Yes. It's you who
asks for my permission...

1482
02:18:41,060 --> 02:18:42,810
- No joke?
- That's right.

1483
02:18:42,820 --> 02:18:43,900
No, no. Please don't...

1484
02:18:44,020 --> 02:18:47,120
- Listen, I don't need to be here...
- We all agree about that...

1485
02:18:47,240 --> 02:18:51,210
I don't need to be here or
explain anything to you,

1486
02:18:51,330 --> 02:18:53,740
or you... or you...

1487
02:18:53,860 --> 02:18:54,780
All right, all right.

1488
02:18:54,900 --> 02:18:57,220
Come on, point your
finger at me again...

1489
02:18:57,320 --> 02:18:59,460
- Do you want me to point my finger at you?
- No, no, no...

1490
02:18:59,480 --> 02:19:00,740
Point your finger at
me again, come on...

1491
02:19:00,760 --> 02:19:02,300
Point it at me.
You missed me.

1492
02:19:02,320 --> 02:19:04,180
Oh, do you want me
to point at you like this?

1493
02:19:04,200 --> 02:19:05,690
- Touch me again
- Do you want me to touch you?

1494
02:19:05,700 --> 02:19:07,450
- Do it again.
- Don't you like it?

1495
02:19:07,460 --> 02:19:08,860
Girls, no, no, no!
Girls, girls!

1496
02:19:08,980 --> 02:19:10,020
Hang on, hang on, hang on...

1497
02:19:10,140 --> 02:19:13,190
Girls, come on. Please!
Come on... Please! Stop!

1498
02:19:13,310 --> 02:19:15,330
- What's this cunt doing here?
- Get out of here!

1499
02:19:15,660 --> 02:19:17,740
Get over there, for God's sake...

1500
02:19:18,220 --> 02:19:22,570
We'll talk it over!
Everything will turn out just fine!

1501
02:19:29,380 --> 02:19:32,050
I'm so sorry. This is a mistake.

1502
02:19:32,620 --> 02:19:33,850
This is no mistake.

1503
02:19:34,140 --> 02:19:35,490
This is fine.

1504
02:19:36,860 --> 02:19:39,050
You go shoot your trees.

1505
02:19:39,940 --> 02:19:41,530
I'll take care of them.

1506
02:20:09,090 --> 02:20:11,490
THE SPIDER

1507
02:20:15,380 --> 02:20:18,170
Shooting Journal

1508
02:20:30,220 --> 02:20:32,370
Notebook

1509
02:20:36,460 --> 02:20:38,650
Travel Diary

1510
02:20:59,460 --> 02:21:04,770
Thursday, September 15

1511
02:21:27,220 --> 02:21:31,450
Yesterday, early in the morning,

1512
02:21:40,180 --> 02:21:42,770
we finally set out

1513
02:21:45,780 --> 02:21:47,890
with the crew

1514
02:21:52,620 --> 02:21:57,610
in search of the trees.

1515
02:22:47,860 --> 02:22:51,570
We were all filled
with a vital feeling...

1516
02:22:58,180 --> 02:23:00,410
of relief,

1517
02:23:03,740 --> 02:23:05,570
of euphoria,

1518
02:23:15,740 --> 02:23:18,050
of freedom.

1519
02:23:34,420 --> 02:23:37,130
Finally,

1520
02:23:45,460 --> 02:23:47,450
again on the roads,

1521
02:24:02,300 --> 02:24:04,970
on the road.

1522
02:24:24,580 --> 02:24:26,970
Without obligations.

1523
02:24:41,420 --> 02:24:43,290
Without bureaucracy.

1524
02:24:50,260 --> 02:24:51,730
Without attachments.

1525
02:25:06,500 --> 02:25:08,450
Without them.

1526
02:25:39,660 --> 02:25:41,850
The problem's not them;

1527
02:25:52,980 --> 02:25:55,370
the problem is the inflexibility,

1528
02:26:00,500 --> 02:26:01,610
the routine,

1529
02:26:16,380 --> 02:26:20,410
the permanent tension they generate.

1530
02:26:52,740 --> 02:26:57,090
The feeling of being
always off base.

1531
02:27:22,060 --> 02:27:23,650
Always wrong.

1532
02:27:49,860 --> 02:27:53,370
Always going astray.

1533
02:28:07,220 --> 02:28:08,450
I insist:

1534
02:28:16,620 --> 02:28:19,170
The problem's not them.

1535
02:28:33,420 --> 02:28:34,450
Or are they?

1536
02:29:01,060 --> 02:29:04,890
And what if they were right?

1537
02:29:56,780 --> 02:30:00,730
What if it's true
that I prefer the trees?

1538
02:30:01,220 --> 02:30:02,810
- And why not?
- No, it's a...

1539
02:30:02,930 --> 02:30:03,780
For both.

1540
02:30:03,900 --> 02:30:07,290
- But it's against...
- No, it's dark there... The, the tree.

1541
02:30:07,410 --> 02:30:10,460
But it's against the light. I have to
choose for what I'm exposing.

1542
02:30:10,580 --> 02:30:11,610
What do you mean "choose"?

1543
02:30:11,730 --> 02:30:12,850
Right, it's a shot against the light.

1544
02:30:12,970 --> 02:30:15,660
If I choose to expose for the sun,
I only get the tree's silhouette.

1545
02:30:15,780 --> 02:30:19,140
If I expose for the tree,
the sun gets overexposed.

1546
02:30:19,620 --> 02:30:20,650
Damn it.

1547
02:30:21,440 --> 02:30:22,620
- That one?
- Yes.

1548
02:30:22,740 --> 02:30:23,860
Okay.

1549
02:30:23,980 --> 02:30:27,650
Shoot the tree, and the car
that drives by behind it.

1550
02:30:27,770 --> 02:30:29,340
Pan from right to left.

1551
02:30:29,460 --> 02:30:30,250
No, no.

1552
02:30:30,780 --> 02:30:31,970
No, without pan.

1553
02:30:32,300 --> 02:30:33,490
Shoot the tree.

1554
02:30:33,740 --> 02:30:35,560
And the car that
drives by behind it.

1555
02:30:36,430 --> 02:30:37,570
With pan, right?

1556
02:30:37,700 --> 02:30:38,740
No, no. Without pan.

1557
02:30:38,860 --> 02:30:40,850
- But...
- No, without pan.

1558
02:30:41,140 --> 02:30:42,810
All right, but I can't fit
them both in one shot.

1559
02:30:42,930 --> 02:30:43,980
How come? Yes, you can.

1560
02:30:44,100 --> 02:30:46,770
The car in the back, and
the tree in the front.

1561
02:30:47,300 --> 02:30:49,820
As if it were a tree, and
a car that drives by behind it.

1562
02:30:49,940 --> 02:30:51,930
But you're talking about
that big tree to the right.

1563
02:30:52,050 --> 02:30:54,630
The tree to... Yes. The tree, the tree.
The tree we are shooting.

1564
02:30:54,750 --> 02:30:55,890
But I can't get it in the same...

1565
02:31:00,020 --> 02:31:01,090
Yeah... No, but...

1566
02:31:01,260 --> 02:31:02,980
Why are you doing
that with the focus?

1567
02:31:03,500 --> 02:31:04,450
I'm seeing...

1568
02:31:05,220 --> 02:31:06,850
No, but the focus needs to be...

1569
02:31:07,300 --> 02:31:10,970
Can't both the background
and the front be in focus?

1570
02:31:11,300 --> 02:31:12,650
No, everything is
out of focus there.

1571
02:31:13,060 --> 02:31:14,410
No, no... The background and the ..

1572
02:31:28,700 --> 02:31:29,650
Are you shooting?

1573
02:31:30,060 --> 02:31:32,610
Yes, I'm trying this thing because
it makes a strange effect with the...

1574
02:31:32,730 --> 02:31:34,110
But are you shooting?

1575
02:31:34,420 --> 02:31:35,890
Hmm, yes...
It's shooting, but...

1576
02:31:36,140 --> 02:31:37,910
But I was trying something.
No, no, no.

1577
02:31:38,330 --> 02:31:40,090
Okay, go ahead. Camera.

1578
02:31:40,210 --> 02:31:41,110
Go.

1579
02:31:41,370 --> 02:31:42,450
Mark!

1580
02:31:43,580 --> 02:31:45,380
Move to the right,
to the right...

1581
02:31:45,500 --> 02:31:46,540
Your left!

1582
02:31:46,940 --> 02:31:48,090
Your left.

1583
02:31:48,860 --> 02:31:49,810
Come on!

1584
02:31:52,300 --> 02:31:53,250
Mark!

1585
02:31:54,220 --> 02:31:55,410
Planetrees, zero, two.

1586
02:31:56,220 --> 02:31:57,090
Get out.

1587
02:31:58,740 --> 02:32:01,050
Move over, move over!

1588
02:32:02,880 --> 02:32:03,730
Are you shooting?

1589
02:32:04,140 --> 02:32:06,570
- Yes, but he's still in shot.
- Get off the shot!

1590
02:32:09,980 --> 02:32:11,050
Action!

1591
02:32:12,830 --> 02:32:13,760
To the tree?

1592
02:32:14,220 --> 02:32:14,940
What?

1593
02:32:15,060 --> 02:32:16,360
Did you just say
"action" to the tree?

1594
02:32:17,220 --> 02:32:18,370
To that oak.

1595
02:32:19,860 --> 02:32:20,730
Which oak?

1596
02:32:21,580 --> 02:32:24,500
That oak right there... The one...
there. How come which oak?

1597
02:32:24,620 --> 02:32:27,530
Not the one that has the...
The one behind.

1598
02:32:29,620 --> 02:32:31,010
No, but that's not an oak.

1599
02:32:32,340 --> 02:32:35,930
What do you mean that's not an oak?
That's an oak. As clear as day, it's an oak.

1600
02:32:37,900 --> 02:32:39,340
It looks like a eucalyptus.

1601
02:32:39,460 --> 02:32:40,210
It's an oak!

1602
02:32:47,140 --> 02:32:48,140
That's it!

1603
02:32:56,060 --> 02:32:57,260
Caldén Tree

1604
02:32:57,380 --> 02:32:58,580
Silver Wattle

1605
02:32:58,700 --> 02:32:59,900
Black Poplar

1606
02:33:00,020 --> 02:33:01,220
Monkey Puzzle Tree

1607
02:33:01,340 --> 02:33:02,650
Eucalyptus

1608
02:33:37,040 --> 02:33:38,070
Now!

1609
02:33:38,900 --> 02:33:40,730
Oaks, one, second.

1610
02:33:43,170 --> 02:33:46,950
Oaks, Jacaranda,
Cockspur, Coral Trees, Trumpet Trees

1611
02:33:52,300 --> 02:33:56,380
Stone Pines, Cypresses, Willows, Planetrees,
Elderberrys, Walnut Trees, Patagonian Cypresses

1612
02:33:56,400 --> 02:33:59,700
Ombúes, Desert Hackberrys, Palo Verde, Tipa Trees,
Oaks, Jacaranda, Cockspur Coral Trees, Trumpet Trees

1613
02:33:59,720 --> 02:34:03,460
Carob Trees, Caldén Trees, Silver Wattle,
Black Poplar, Monkey Puzzle Trees, Eucalyptus

1614
02:34:13,780 --> 02:34:15,410
September 20.

1615
02:34:15,740 --> 02:34:18,090
A strange episode.

1616
02:34:26,580 --> 02:34:28,330
Today, early in the afternoon,

1617
02:34:28,700 --> 02:34:32,170
we stopped in a small town to
shoot the trees in the square.

1618
02:34:33,580 --> 02:34:36,290
I thought they could be of use
for the invasion sequence.

1619
02:34:39,060 --> 02:34:41,570
The trunks went
up like tentacles.

1620
02:34:42,140 --> 02:34:44,930
As if they were the legs
of some giant squid.

1621
02:34:47,550 --> 02:34:50,320
Suddenly, on a trunk, we
noticed a strange shape,

1622
02:34:50,590 --> 02:34:52,410
which seemed to be
coming out of the tree.

1623
02:34:56,660 --> 02:34:58,690
A shape that, for some reason,

1624
02:34:58,810 --> 02:35:03,770
reminded me of a barfly in some
intergalactic pub from some space movie.

1625
02:35:06,180 --> 02:35:07,380
I get a shot of it.

1626
02:35:10,860 --> 02:35:12,970
Suddenly, on another nearby tree,

1627
02:35:13,660 --> 02:35:15,100
I see another head...

1628
02:35:15,380 --> 02:35:17,900
which seemed to belong
to a howling monkey...

1629
02:35:18,020 --> 02:35:21,130
with something of the guy screaming
in that famous Munch painting.

1630
02:35:21,920 --> 02:35:23,070
I get a shot of it.

1631
02:35:28,980 --> 02:35:31,710
Suddenly, we start feeling observed.

1632
02:35:35,700 --> 02:35:38,250
We look around and
we discover faces,

1633
02:35:39,830 --> 02:35:40,570
eyes,

1634
02:35:41,620 --> 02:35:44,450
human shapes in all
the trees around us.

1635
02:35:52,060 --> 02:35:55,370
They were there, silent,
secretly watching us.

1636
02:36:00,860 --> 02:36:02,970
At first, the whole
thing terrified us.

1637
02:36:03,780 --> 02:36:06,610
But right away, we understood
that the trees were not bad.

1638
02:36:07,180 --> 02:36:10,330
That their faces were
kind, wise and peaceful.

1639
02:36:10,920 --> 02:36:13,620
One could even say:
melancholic.

1640
02:36:18,140 --> 02:36:21,370
Tired of always being there,
watching the world go by.

1641
02:36:33,500 --> 02:36:35,210
We filmed for a couple of hours,

1642
02:36:35,540 --> 02:36:37,510
we said good-bye
to the human trees...

1643
02:36:37,630 --> 02:36:38,990
and went back on the road.

1644
02:36:48,980 --> 02:36:50,680
Your message.

1645
02:36:51,380 --> 02:36:57,380
Dear Violeta,
things are going very well.

1646
02:37:01,940 --> 02:37:07,210
We already have shots
of a lot of trees.

1647
02:37:10,500 --> 02:37:13,330
Even human trees!

1648
02:37:18,060 --> 02:37:20,210
Sending message.

1649
02:37:20,330 --> 02:37:22,410
The message was sent to Violeta.

1650
02:37:36,900 --> 02:37:38,250
Great!

1651
02:37:39,660 --> 02:37:42,610
And the trumpet trees?

1652
02:37:49,940 --> 02:37:54,010
Are you seizing the blooming period?

1653
02:38:18,740 --> 02:38:20,090
September 21,

1654
02:38:20,740 --> 02:38:21,930
Spring Day.

1655
02:38:27,370 --> 02:38:30,560
Today we set off to find
the famous trumpet trees.

1656
02:38:31,260 --> 02:38:35,210
We travelled north, to the river
area, where they abound.

1657
02:38:38,820 --> 02:38:41,540
However, at first,
we didn't find much.

1658
02:38:42,380 --> 02:38:44,930
Some isolated ones, in
the distance, in a field.

1659
02:38:46,700 --> 02:38:48,690
Another one in some town square.

1660
02:38:51,660 --> 02:38:54,930
But every time, for some reason,
they turned out disappointing.

1661
02:38:56,860 --> 02:38:58,850
It was as if they did not
give themselves completely.

1662
02:38:59,460 --> 02:39:01,370
One would see them, majestic,

1663
02:39:01,500 --> 02:39:04,090
but later, through the
camera, it was something else.

1664
02:39:06,290 --> 02:39:07,690
Something worse.

1665
02:39:10,940 --> 02:39:13,370
Do you like it like this? I have
tree crowns and a bit of river.

1666
02:39:15,940 --> 02:39:17,890
No, but...
It doesn't look like the...

1667
02:39:23,260 --> 02:39:25,900
Finally, we arrived at a city

1668
02:39:31,900 --> 02:39:35,030
on the riverside

1669
02:39:54,420 --> 02:40:05,450
which had been referred to as the
"Trumpet Trees Capital"

1670
02:40:06,740 --> 02:40:08,370
No, no, not that bridge.

1671
02:40:08,860 --> 02:40:10,140
Shall I take out the bridge?

1672
02:40:10,260 --> 02:40:13,570
Yes. Yes. But still there is
something like... in the tree that...

1673
02:40:13,690 --> 02:40:15,140
I will shoot it anyway
and we have it.

1674
02:40:15,260 --> 02:40:18,370
It feels like failure.

1675
02:40:20,460 --> 02:40:21,700
No, but that green tree...

1676
02:40:21,820 --> 02:40:23,290
But the green brings out
the color of the trumpet tree...

1677
02:40:23,410 --> 02:40:24,620
It's not, no...

1678
02:40:24,740 --> 02:40:28,650
I discover that filming trees is hard.

1679
02:40:31,660 --> 02:40:33,480
Cacho, Cacho!

1680
02:40:34,210 --> 02:40:35,230
No.

1681
02:40:37,580 --> 02:40:41,890
The images are never as powerful
as the same tree seen in the flesh.

1682
02:40:43,060 --> 02:40:44,740
- Okay.
- I like this one.

1683
02:40:44,860 --> 02:40:47,570
There is always something missing.

1684
02:40:48,180 --> 02:40:50,090
The green contrasts well with
the red of the trumpet tree.

1685
02:40:50,210 --> 02:40:51,510
Oh... Let's see.

1686
02:40:52,060 --> 02:40:53,190
Hmm, no.

1687
02:40:53,310 --> 02:40:54,170
No, what?

1688
02:40:54,500 --> 02:40:56,250
There is always something missing.

1689
02:40:56,370 --> 02:40:59,000
Something that is not given away,

1690
02:40:59,120 --> 02:41:01,850
that remains elusive.

1691
02:41:01,970 --> 02:41:03,610
No, no.

1692
02:41:03,960 --> 02:41:05,050
What do I do?

1693
02:41:07,940 --> 02:41:11,010
Let's see... That's it! That's it!
Right, this is how it should be.

1694
02:41:11,220 --> 02:41:12,930
I was just moving the
camera, I wasn't...

1695
02:41:13,050 --> 02:41:15,810
No, but... That's it, yes!
There! That's it! There!

1696
02:41:15,900 --> 02:41:16,870
We are moving the camera...

1697
02:41:16,890 --> 02:41:18,370
There! That's it!

1698
02:41:18,660 --> 02:41:20,290
The thing is that
later you will see it...

1699
02:41:20,410 --> 02:41:26,210
They are treacherous,
as if they didn't want to be filmed.

1700
02:41:28,980 --> 02:41:30,000
No.

1701
02:41:30,600 --> 02:41:32,730
What bothers you
the cars or the angle?

1702
02:41:33,080 --> 02:41:34,330
No, everything.

1703
02:41:34,660 --> 02:41:37,930
Wary, cunning, petty

1704
02:41:39,100 --> 02:41:40,810
- Hey, this one...
- No.

1705
02:41:43,020 --> 02:41:43,540
No, no.

1706
02:41:43,660 --> 02:41:47,610
Capricious like TV starlets.

1707
02:41:48,210 --> 02:41:48,800
No.

1708
02:41:51,100 --> 02:41:53,130
Miserable.

1709
02:41:54,140 --> 02:41:57,140
These close-ups work for me,
it's cool. The color looks good.

1710
02:41:57,260 --> 02:42:01,770
No, let's see. Excuse me, excuse me,
excuse me. Let's see. Down, that.

1711
02:42:02,900 --> 02:42:04,900
There, excuse me. This...
Can I touch this?

1712
02:42:05,020 --> 02:42:06,210
Yes.

1713
02:42:06,620 --> 02:42:08,840
Yes but no, no.

1714
02:42:09,170 --> 02:42:11,160
The thing is that there...
It's true that the flower is the best,

1715
02:42:11,180 --> 02:42:12,970
but the green in the
background looks ugly...

1716
02:42:13,090 --> 02:42:14,300
No, no, no.

1717
02:42:15,300 --> 02:42:15,760
No!

1718
02:42:15,880 --> 02:42:18,570
Mean old people

1719
02:42:19,260 --> 02:42:20,900
- Maybe it contrasts better.
- No, let's see.

1720
02:42:21,020 --> 02:42:23,460
Let's see, hold on.
I'll try a pan.

1721
02:42:24,000 --> 02:42:25,690
No, let's see...

1722
02:42:25,900 --> 02:42:31,250
No, no, no, no, no. No, no.
No, no, no. You do it.

1723
02:42:33,060 --> 02:42:34,570
No, no, but... Let's see.

1724
02:42:35,620 --> 02:42:37,570
No, no, no, no, no. No.

1725
02:42:39,150 --> 02:42:40,120
No.

1726
02:42:45,820 --> 02:42:50,090
And suddenly...

1727
02:42:52,060 --> 02:42:55,570
I like this one, we'd have to wait for
those guys to leave, or ask them to leave.

1728
02:42:56,700 --> 02:42:58,610
Let's see, let's see.
Can I see?

1729
02:42:59,140 --> 02:43:01,080
The question is whether to
include that trash can or not.

1730
02:43:01,100 --> 02:43:03,180
- Do you want me to move those guys?
- No, no, no.

1731
02:43:03,300 --> 02:43:06,530
- Dude!
- No no, shh shh shh...

1732
02:43:07,140 --> 02:43:10,250
The solution

1733
02:43:10,560 --> 02:43:12,380
But are you sure they'll leave?

1734
02:43:12,500 --> 02:43:15,090
No, no, no, no, wait, wait, wait.
Get the trash can out.

1735
02:43:15,550 --> 02:43:16,650
Get the trash can out.
That's it!

1736
02:43:16,770 --> 02:43:19,250
The one in the orange jacket looks
as if he was there on purpose...

1737
02:43:19,370 --> 02:43:20,740
I'll tell them, no problem.

1738
02:43:20,860 --> 02:43:21,850
That's it...

1739
02:43:47,220 --> 02:43:50,810
Standing under some trees, we saw
some guys wearing work clothes.

1740
02:43:51,760 --> 02:43:54,800
They had probably been hired to
prune the trees or cut the grass.

1741
02:43:54,820 --> 02:43:55,920
Or something.

1742
02:43:57,060 --> 02:43:58,170
They were on a break.

1743
02:43:58,690 --> 02:43:59,730
Doing nothing.

1744
02:44:00,700 --> 02:44:01,650
And then, yes.

1745
02:44:02,310 --> 02:44:03,920
The trumpet trees appeared.

1746
02:44:04,580 --> 02:44:05,630
There they were.

1747
02:44:07,680 --> 02:44:09,510
And then something
terrible happened to me.

1748
02:44:10,050 --> 02:44:11,250
I had a revelation.

1749
02:44:12,180 --> 02:44:15,170
I had a revelation, and you
have to be careful there.

1750
02:44:16,100 --> 02:44:18,760
If you're not careful, you start
thinking and thinking

1751
02:44:18,880 --> 02:44:22,690
and write just about anything and end up
turning into a lunatic or a pest.

1752
02:44:23,460 --> 02:44:25,250
And this is not about being a bore.

1753
02:44:25,540 --> 02:44:28,850
Least about embarking on some
sort of cinematographic treatise

1754
02:44:28,970 --> 02:44:31,920
stating that the human figure this,
and the landscape that.

1755
02:44:33,140 --> 02:44:36,290
All I can say is that if you
film someone next to a tree,

1756
02:44:36,540 --> 02:44:40,170
something happens that
doesn't if you film the tree alone.

1757
02:45:09,860 --> 02:45:10,980
Some will tell me:

1758
02:45:11,560 --> 02:45:12,970
"you reinvented the wheel".

1759
02:45:14,260 --> 02:45:15,410
"Yes", I will say.

1760
02:45:15,800 --> 02:45:17,050
"I reinvented the wheel".

1761
02:45:25,220 --> 02:45:30,180
Kashwakamak Lake

1762
02:45:30,300 --> 02:45:37,370
Kashwakamak Lake
Quebec. Canada territory.

1763
02:45:43,280 --> 02:45:45,350
FEDERAL INSTITUTE FOR FOREST SCIENCES
NO TRESPASSING

1764
02:46:26,060 --> 02:46:28,650
Let me do the talking.
I know how to treat her.

1765
02:46:32,590 --> 02:46:35,390
ACCESS FORBIDDEN
TO ALL NON-EMPLOYEES

1766
02:47:14,260 --> 02:47:16,250
Chief Investigator
Knock before entering

1767
02:47:53,540 --> 02:47:56,250
It would seem they no longer
learn to read in the academy.

1768
02:47:57,740 --> 02:48:01,050
It says very clearly:
Knock before entering.

1769
02:48:01,660 --> 02:48:03,690
Or don't you speak French, officers?

1770
02:48:15,590 --> 02:48:16,450
Come in.

1771
02:48:23,770 --> 02:48:26,570
Excuse us, we thought there
was nobody in here.

1772
02:48:29,500 --> 02:48:30,610
There's almost nobody.

1773
02:48:31,580 --> 02:48:32,650
Everyone has left.

1774
02:48:33,500 --> 02:48:34,770
They have taken everything.

1775
02:48:37,100 --> 02:48:38,290
I'm all that's left.

1776
02:48:40,420 --> 02:48:43,050
- Doctor, we are the agents...
- I know who you are.

1777
02:48:43,940 --> 02:48:45,330
I was expecting you.

1778
02:48:49,380 --> 02:48:51,690
I guess you've come to see
me about the Codes Two.

1779
02:48:52,180 --> 02:48:53,380
You mean the cases...

1780
02:48:53,500 --> 02:48:56,810
I mean the cases of Mr St.
Hillaire and the Air Queen.

1781
02:48:58,010 --> 02:49:00,210
Last week's two episodes.

1782
02:49:11,180 --> 02:49:13,410
Two Codes Two in
one week is too much.

1783
02:49:15,420 --> 02:49:17,070
We've never seen
anything like this.

1784
02:49:17,980 --> 02:49:19,770
We are still investigating them.

1785
02:49:19,980 --> 02:49:23,720
The woodcutter is an untrustworthy
character, he drinks too much,

1786
02:49:23,840 --> 02:49:26,500
and this isn't the first time
he's come up with these stories.

1787
02:49:26,620 --> 02:49:29,300
- As for the little Shaman...
- Air Queen.

1788
02:49:29,420 --> 02:49:31,070
- As for the Air Queen...
- Agents!

1789
02:49:32,940 --> 02:49:34,370
These are not stories.

1790
02:49:34,940 --> 02:49:36,090
This is happening.

1791
02:49:36,620 --> 02:49:38,890
Two Codes Two in
one week is too much.

1792
02:49:39,140 --> 02:49:41,970
It's an activity level we
have never registered before.

1793
02:49:44,260 --> 02:49:49,820
Sorry, Doctor, when you say activity,
what exactly do you mean?

1794
02:49:49,940 --> 02:49:51,070
Code Two:

1795
02:49:51,460 --> 02:49:53,930
wandering activity and
even aggression.

1796
02:49:54,580 --> 02:49:58,140
Until recently, it didn't happen
more than once a year. Once!

1797
02:49:58,260 --> 02:50:00,250
And always in birches or fir trees.

1798
02:50:02,100 --> 02:50:04,690
Until now, we had
never dealt with pines.

1799
02:50:05,060 --> 02:50:08,610
If the rebellion reaches the
big pine woods, we are lost.

1800
02:50:09,980 --> 02:50:13,060
Doctor, are you serious?
Are you talking about...?

1801
02:50:13,180 --> 02:50:15,010
We are very serious.

1802
02:50:33,940 --> 02:50:35,570
They've always been there.

1803
02:50:36,580 --> 02:50:38,220
Long before we came.

1804
02:50:40,130 --> 02:50:41,290
They saw us arrive.

1805
02:50:42,580 --> 02:50:45,730
They saw each and every one of
our advancements and mistakes.

1806
02:50:47,530 --> 02:50:49,130
Like a nosy old woman.

1807
02:50:49,740 --> 02:50:55,090
Or a couple of old people, who observe
the neighbors arrive full of enthusiasm,

1808
02:50:55,740 --> 02:51:01,050
doing for the first time the same
things they've done for centuries.

1809
02:51:03,140 --> 02:51:04,170
Mean old people.

1810
02:51:05,500 --> 02:51:06,530
Those are them.

1811
02:51:07,740 --> 02:51:10,810
Mean old people. Looking out
the window and thinking:

1812
02:51:11,540 --> 02:51:14,890
"you'll see... you'll see".

1813
02:51:21,620 --> 02:51:23,050
You speak as if it were...

1814
02:51:24,340 --> 02:51:25,250
A war...

1815
02:51:26,580 --> 02:51:27,930
It is a war...

1816
02:51:29,270 --> 02:51:30,820
and we're losing.

1817
02:53:05,500 --> 02:53:06,460
And?

1818
02:53:06,580 --> 02:53:07,690
I'm not sure.

1819
02:53:09,300 --> 02:53:10,260
Let's see...

1820
02:53:15,140 --> 02:53:17,650
I don't know if it works
or if it's a load of crap...

1821
02:53:20,460 --> 02:53:21,370
A load of crap...

1822
02:53:22,340 --> 02:53:23,290
Then what?

1823
02:53:26,220 --> 02:53:29,530
It's a fantastic plot.
It belongs to the fantasy genre.

1824
02:53:30,820 --> 02:53:33,050
It's not about whether
it's fantastic or not.

1825
02:53:33,700 --> 02:53:36,610
The problem is that at that point
in the story, the plants thing is...

1826
02:53:36,780 --> 02:53:37,650
"too much".

1827
02:53:38,060 --> 02:53:41,000
Exactly. At this point, the viewer
has already watched too many scenes

1828
02:53:41,120 --> 02:53:43,910
in which the same procedure
has been repeated "ad nauseam".

1829
02:53:44,380 --> 02:53:47,490
The fantastic element loses strength
because it becomes exposed as a trick.

1830
02:53:48,220 --> 02:53:49,690
It all becomes a boast.

1831
02:53:49,810 --> 02:53:50,930
A mask.

1832
02:53:54,140 --> 02:53:55,530
Any solution?

1833
02:53:57,340 --> 02:53:58,470
Let's see...

1834
02:54:28,490 --> 02:54:29,500
Let's see...

1835
02:54:29,620 --> 02:54:32,610
Up until now, we have been working
with a double scheme... right?

1836
02:54:32,780 --> 02:54:34,090
- Yes.
- Like this.

1837
02:54:35,060 --> 02:54:37,140
Yes, the spider, we all
know the spider already.

1838
02:54:37,160 --> 02:54:38,750
- What happens with the spider?
- Let him talk.

1839
02:54:38,770 --> 02:54:40,280
We are here.

1840
02:54:40,500 --> 02:54:43,370
That means that we are still
missing three legs of the spider.

1841
02:54:43,490 --> 02:54:46,240
I wouldn't say three.
Two and a half!

1842
02:54:46,440 --> 02:54:48,780
Since yesterday, I think we've made
quite a lot of progress on the scene.

1843
02:54:48,800 --> 02:54:50,250
- Stop that!
- Three.

1844
02:54:50,460 --> 02:54:52,630
- Three, and you're out of ideas.
- Let him talk and develop his plan.

1845
02:54:52,650 --> 02:54:54,620
- Or at least nothing related to this.
- It's not quite like that!

1846
02:54:54,740 --> 02:54:55,750
- Done.
- No, it's not...

1847
02:54:55,870 --> 02:54:58,080
The relationship is
completely worn out.

1848
02:54:58,200 --> 02:54:59,250
You're exaggerating.

1849
02:54:59,520 --> 02:55:03,450
But even if it were so, how can
I make those witches understand?

1850
02:55:03,570 --> 02:55:05,120
- Easy.
- That's the problem.

1851
02:55:05,240 --> 02:55:06,420
- Exactly.
- The witches?

1852
02:55:06,540 --> 02:55:07,380
- Yes.
- The witches.

1853
02:55:07,420 --> 02:55:08,910
The situation doesn't hold any longer.

1854
02:55:08,930 --> 02:55:10,620
It does not hold any longer.

1855
02:55:10,740 --> 02:55:11,760
Hold on.

1856
02:55:12,000 --> 02:55:13,730
I wouldn't say it does
not hold any longer.

1857
02:55:18,060 --> 02:55:19,690
The four actresses
became a problem.

1858
02:55:20,940 --> 02:55:23,010
Let's see: if I asked you,
out of the blue,

1859
02:55:23,660 --> 02:55:26,130
what would you
really like to shoot?

1860
02:55:28,140 --> 02:55:30,010
There is no single
answer to that...

1861
02:55:30,570 --> 02:55:31,540
Yes, there is.

1862
02:55:32,460 --> 02:55:33,720
What do you want me to tell you?

1863
02:55:34,180 --> 02:55:34,840
The truth...

1864
02:55:34,860 --> 02:55:37,410
- Tell me what you want me to tell you, and I will!
- We want you to tell the truth.

1865
02:55:37,430 --> 02:55:39,240
What you want me to say is...

1866
02:55:39,360 --> 02:55:41,890
- Trees.
- Don't be ridiculous, please.

1867
02:56:00,340 --> 02:56:02,170
Well, alright... Trees.

1868
02:56:02,620 --> 02:56:04,970
But between the trees and you
stand the witches.

1869
02:56:05,220 --> 02:56:05,970
The witches.

1870
02:56:06,090 --> 02:56:08,370
Who force you to keep inventing
plots for them to act...

1871
02:56:08,620 --> 02:56:09,470
Exactly.

1872
02:56:09,660 --> 02:56:11,800
Superfluous plots nobody
cares about anymore.

1873
02:56:11,920 --> 02:56:13,830
"That no viewer can put up with...

1874
02:56:13,950 --> 02:56:15,140
At this point".

1875
02:56:15,260 --> 02:56:17,410
Always the same thing.

1876
02:56:17,700 --> 02:56:18,370
Then?

1877
02:56:19,120 --> 02:56:21,260
- Now I understand.
- Three parts? - Three.

1878
02:56:21,280 --> 02:56:22,470
It's a three part structure.

1879
02:56:22,490 --> 02:56:23,940
I don't understand...

1880
02:56:24,230 --> 02:56:25,300
- It's two parts.
- Wait.

1881
02:56:25,420 --> 02:56:28,470
- Spiders have...
- Forget about the spiders for a moment.

1882
02:56:28,710 --> 02:56:31,030
Now there are three.
Write down...

1883
02:56:35,940 --> 02:56:38,170
Three parts

1884
02:56:40,460 --> 02:56:42,970
It's no longer looking
like a spider.

1885
02:56:44,100 --> 02:56:48,050
Excuse me, but that thing you're drawing
there dangerously resembles an ant.

1886
02:56:48,170 --> 02:56:49,190
An ant!

1887
02:56:49,310 --> 02:56:51,580
Yes, he's right,
it's exactly an ant.

1888
02:56:51,700 --> 02:56:53,170
- Then change the
name to "The Ant".

1889
02:56:53,290 --> 02:56:56,820
- How will I name it "The Ant"?
- No ant, three parts. I'll explain.

1890
02:56:56,940 --> 02:56:58,630
If we have only two parts,

1891
02:56:58,750 --> 02:57:03,800
supposedly the stories that make up
each must have their coherence.

1892
02:57:03,920 --> 02:57:07,530
Do we agree?
Okay, "Coherence".

1893
02:57:07,980 --> 02:57:09,260
Coherence, go on.

1894
02:57:09,380 --> 02:57:11,970
There has to be a link
to the previous stories.

1895
02:57:12,180 --> 02:57:14,210
Be different, but similar.

1896
02:57:15,060 --> 02:57:17,840
For instance, if the first story
is about vampires

1897
02:57:17,960 --> 02:57:20,300
and the second one
is about classical ballerinas,

1898
02:57:20,420 --> 02:57:23,210
the third one has to be
equidistant to the others.

1899
02:57:23,820 --> 02:57:25,660
- Vampiresses.
- For example, bank robbers...

1900
02:57:25,780 --> 02:57:28,620
...or about con women.
And so on and so forth.

1901
02:57:28,740 --> 02:57:32,290
- Ballerinas.
- That takes us to the situation we are in now.

1902
02:57:32,580 --> 02:57:37,730
Inventing stupid scenes nobody cares about
anymore with wandering trees in Canada.

1903
02:57:38,800 --> 02:57:41,720
It's a mortal trap that
doesn't work anymore.

1904
02:57:41,990 --> 02:57:43,070
Oh, is that bad?

1905
02:57:43,190 --> 02:57:45,270
It seems like it
won't work in the end.

1906
02:57:45,390 --> 02:57:46,500
Oh. Okay.

1907
02:57:46,870 --> 02:57:50,170
However, if we divide
the spider in three parts,

1908
02:57:50,290 --> 02:57:53,900
that gives us the possibility
to find a way...

1909
02:57:54,340 --> 02:57:55,930
to escape...

1910
02:57:56,250 --> 02:57:59,320
- the witches.
- Escape from the witches...

1911
02:57:59,780 --> 02:58:01,040
It's good, right?

1912
02:58:01,160 --> 02:58:02,450
How?

1913
02:58:02,840 --> 02:58:04,010
Tricking them.

1914
02:58:07,140 --> 02:58:10,010
Tricking them.

1915
02:58:13,340 --> 02:58:16,860
We come up with some excuse
to tell them.

1916
02:58:17,340 --> 02:58:21,090
We tell them we found out that spiders
in fact have three parts.

1917
02:58:21,670 --> 02:58:23,360
Right. Like an ant.

1918
02:58:23,620 --> 02:58:25,090
Forget about the ant.

1919
02:58:25,660 --> 02:58:29,780
That forces the movie to
have three parts as well.

1920
02:58:29,900 --> 02:58:30,720
Write it down.

1921
02:58:31,060 --> 02:58:32,850
Three parts. Oh, no.
I already have "three parts".

1922
02:58:32,980 --> 02:58:37,610
That implies there is a third part, and
then you tell them the important thing.

1923
02:58:38,340 --> 02:58:44,210
That third part must be
conceptually different.

1924
02:58:45,100 --> 02:58:47,090
Conceptually.

1925
02:58:47,740 --> 02:58:48,810
Conceptually, yes.

1926
02:58:48,930 --> 02:58:51,960
Stories can no longer be similar
to the previous ones.

1927
02:58:52,080 --> 02:58:54,700
They need to have a twist.

1928
02:58:55,480 --> 02:58:56,640
Conceptual.

1929
02:58:57,290 --> 02:58:58,800
I already wrote conceptual.

1930
02:58:58,920 --> 02:59:00,290
Write "interesting".

1931
02:59:00,820 --> 02:59:03,460
Interesting.

1932
02:59:03,960 --> 02:59:04,970
Okay.

1933
02:59:06,060 --> 02:59:10,850
For example, a movie about them
where they don't appear.

1934
02:59:11,540 --> 02:59:12,570
That is interesting.

1935
02:59:12,690 --> 02:59:14,100
- It's... interesting.
- Interesting.

1936
02:59:14,220 --> 02:59:15,450
I think it's a good idea.

1937
02:59:15,570 --> 02:59:17,230
- No.
- No?

1938
02:59:17,350 --> 02:59:19,850
It's madness. They'd never accept to do
something where they don't appear.

1939
02:59:19,970 --> 02:59:21,250
It's a completely infeasible plan.

1940
02:59:21,370 --> 02:59:22,970
- It's madness.
- Unimaginable.

1941
02:59:23,090 --> 02:59:26,230
- Well... Let them appear, but briefly.
- That might work.

1942
02:59:26,350 --> 02:59:30,810
They can be outside the field of action. They
can be permanently evoked, but not appear.

1943
02:59:31,020 --> 02:59:33,100
E-vo-ked.

1944
02:59:33,220 --> 02:59:34,210
Permanently.

1945
02:59:34,330 --> 02:59:35,610
Alluded to.

1946
02:59:35,900 --> 02:59:37,750
A-llu-ded to.

1947
02:59:37,870 --> 02:59:39,720
- Also permanently.
- Right.

1948
02:59:39,840 --> 02:59:41,290
And what did you say before?

1949
02:59:41,480 --> 02:59:44,440
- Something about the field?
- Outside the field of action.

1950
02:59:44,620 --> 02:59:46,250
Oh... Outside the field of action.

1951
02:59:46,370 --> 02:59:47,600
Outside the field of action.

1952
02:59:47,720 --> 02:59:49,370
- Outside or away?
- Outside.

1953
02:59:49,490 --> 02:59:51,040
Okay, outside.

1954
02:59:51,900 --> 02:59:56,010
So we do this. You invent a
story, no matter the subject.

1955
02:59:56,420 --> 03:00:00,140
The only thing we need is that
the witches don't appear in that story.

1956
03:00:00,260 --> 03:00:03,690
Or that they appear evoked,
alluded outside the field of action.

1957
03:00:03,810 --> 03:00:04,940
That: away from the field.

1958
03:00:05,060 --> 03:00:08,020
That makes room for the trees
universe or whatever you want.

1959
03:00:08,140 --> 03:00:09,690
Trees away from the field.

1960
03:00:09,810 --> 03:00:10,490
Do we agree?

1961
03:00:12,660 --> 03:00:15,290
I got lost. I have to invent a story?

1962
03:00:15,500 --> 03:00:17,090
Yes, a random story.

1963
03:00:17,340 --> 03:00:18,900
- Anything?
- A story.

1964
03:00:19,020 --> 03:00:21,820
Anything, something from a
B movie of the fantasy genre.

1965
03:00:21,940 --> 03:00:22,770
Corman.

1966
03:00:22,890 --> 03:00:24,650
- Robert Corman.
- Richard.

1967
03:00:24,770 --> 03:00:29,010
- Richard Corman.
- Right, the thing is that lately it's not coming to me very easily...

1968
03:00:29,130 --> 03:00:30,300
Try harder.

1969
03:00:30,980 --> 03:00:32,380
Storytelling.

1970
03:00:32,500 --> 03:00:34,420
That's cinema.
The art of storytelling.

1971
03:00:34,540 --> 03:00:35,650
Well, it's not that easy.

1972
03:00:35,770 --> 03:00:37,090
A story you take from a book.

1973
03:00:37,210 --> 03:00:38,490
Right. Much better if
it comes from a book.

1974
03:00:38,610 --> 03:00:39,380
From a book?

1975
03:00:39,500 --> 03:00:40,820
Yes, any book.

1976
03:00:40,940 --> 03:00:42,060
- From a book?
- A good book.

1977
03:00:42,180 --> 03:00:43,730
- The adaptation of a good book.
- The important thing is a good book.

1978
03:00:43,850 --> 03:00:45,170
But where do I take the book from?

1979
03:00:45,290 --> 03:00:47,810
- Go on the Internet.
- The Internet?

1980
03:00:48,060 --> 03:00:49,690
Go online and you'll see,
there's everything.

1981
03:00:49,880 --> 03:00:51,630
I've never used those
things on the Internet.

1982
03:00:51,650 --> 03:00:54,090
- It's great, they've got everything.
- You'll be surprised.

1983
03:00:54,300 --> 03:00:55,810
Books on the Internet.

1984
03:00:56,110 --> 03:00:56,980
Okay.

1985
03:00:57,100 --> 03:00:58,450
Internet.

1986
03:00:59,220 --> 03:01:01,490
Books on the Internet.

1987
03:01:01,660 --> 03:01:06,490
Fantastic story, books on the Internet, outside
the field of action and farewell to the witches.

1988
03:01:06,780 --> 03:01:08,250
- It's not bad
- Impeccable.

1989
03:01:10,700 --> 03:01:12,370
I'm not sure
I understand the plan.

1990
03:01:12,820 --> 03:01:15,010
You do as we tell you
and you'll start getting it.

1991
03:01:15,500 --> 03:01:16,860
- It's a decoy
- A decoy.

1992
03:01:16,980 --> 03:01:18,770
- A red herring.
- Something red.

1993
03:01:18,890 --> 03:01:20,850
We win the witches' trust...

1994
03:01:21,860 --> 03:01:24,620
That's the important thing.
And then we betray them.

1995
03:01:24,740 --> 03:01:27,340
The enemy thinks it's winning and,
in fact, it's being deceived.

1996
03:01:27,460 --> 03:01:29,610
Well, I wouldn't put
it in those terms.

1997
03:01:30,020 --> 03:01:30,980
That's bad.

1998
03:01:31,340 --> 03:01:33,060
Those terms are the terms.

1999
03:01:33,180 --> 03:01:34,940
No, this is not a war.

2000
03:01:35,340 --> 03:01:37,650
Yes, it's a war.
And we are losing.

2001
03:02:06,620 --> 03:02:09,530
Your message:

2002
03:02:12,420 --> 03:02:16,650
Violeta, we have made some
decisions regarding the movie.

2003
03:02:20,340 --> 03:02:24,570
I think you were right about the actresses.

2004
03:02:25,420 --> 03:02:28,250
I need to think.

2005
03:02:41,700 --> 03:02:46,810
For now, we will make some
changes to the structure.

2006
03:02:48,660 --> 03:02:52,250
It will be even more
like a real spider!

2007
03:02:56,500 --> 03:02:58,450
Sending message

2008
03:03:44,100 --> 03:03:46,450
Saturn Hotel

2009
03:03:49,060 --> 03:03:51,010
Good afternoon.

2010
03:03:51,500 --> 03:03:52,860
Have you got any rooms?

2011
03:03:52,980 --> 03:03:53,990
I do, yes.

2012
03:03:54,980 --> 03:03:56,330
Twelve cabins,

2013
03:03:57,060 --> 03:03:58,370
all twelve available.

2014
03:03:58,660 --> 03:04:00,850
There are five of us.
One for five, please.

2015
03:04:01,180 --> 03:04:02,250
The five of us together?

2016
03:04:02,540 --> 03:04:03,570
You can go ahead.

2017
03:04:05,700 --> 03:04:07,650
From what I see,
there's not many people.

2018
03:04:08,060 --> 03:04:09,570
The roads have changed.

2019
03:04:16,120 --> 03:04:17,020
Here you go.

2020
03:04:17,140 --> 03:04:19,140
Could you make some coffee,
if it's not too much trouble?

2021
03:04:19,260 --> 03:04:20,010
Of course.

2022
03:04:20,620 --> 03:04:21,770
Thank you. Excuse me.

2023
03:04:35,510 --> 03:04:36,500
They've arrived.

2024
03:05:48,700 --> 03:05:51,010
I like it.

2025
03:06:10,300 --> 03:06:14,970
The less those witches
appear, the better!!

2026
03:06:27,540 --> 03:06:29,650
Hehehehe

2027
03:06:48,340 --> 03:06:49,820
- Yes?
- I've brought you coffee.

2028
03:06:49,940 --> 03:06:51,120
Okay, thanks.

2029
03:07:05,740 --> 03:07:07,690
Your message.

2030
03:07:09,140 --> 03:07:12,330
Hehehe. The witches to the bonfire!!

2031
03:07:14,580 --> 03:07:15,750
Sending message

2032
03:07:15,870 --> 03:07:17,730
Message sent to Violeta

2033
03:07:56,600 --> 03:08:00,570
Hehehe. The witches to the bonfire!!!

2034
03:09:37,460 --> 03:09:38,270
Let's go.

2035
03:09:38,390 --> 03:09:39,300
Let's go!

2036
03:09:40,940 --> 03:09:42,400
Come on. Let's go!

2037
03:11:43,620 --> 03:11:44,770
I'll leave now.

2038
03:12:12,060 --> 03:12:13,190
What time is it?

2039
03:12:14,180 --> 03:12:15,160
Nine thirty.

2040
03:12:15,660 --> 03:12:16,890
There's little time.

2041
03:12:19,540 --> 03:12:21,410
Let's go.

2042
03:13:47,490 --> 03:13:49,020
We don't know what to do?

2043
03:13:52,100 --> 03:13:53,450
Check the spark plug.

2044
03:13:54,220 --> 03:13:55,110
The spark plug.

2045
03:13:55,420 --> 03:13:56,780
It's the last time I get in this car!

2046
03:13:56,900 --> 03:13:58,260
Can't you fix the spark plug?

2047
03:13:58,380 --> 03:14:01,650
If you can't fix a car,
then why do we go by car?

2048
03:14:02,620 --> 03:14:05,970
- That spark plug cannot be fixed.
- I seriously doubt it's the spark plug.

2049
03:14:17,060 --> 03:14:17,970
A car's coming.

2050
03:14:18,260 --> 03:14:19,290
That's a relief.

2051
03:14:20,340 --> 03:14:21,640
We are saved.

2052
03:14:41,380 --> 03:14:45,500
Gatto, you are two hundred eighteen
yards front the indicated point.

2053
03:14:45,620 --> 03:14:50,690
Las Casuarinas Ranch
Adj. Road to Route 3321.5 miles. Right

2054
03:15:19,060 --> 03:15:23,770
Gatto, you are one hundred sixty four
yards from the indicated point.

2055
03:15:41,220 --> 03:15:45,290
Gatto, you are one hundred ten
yards from the indicated point.

2056
03:15:58,220 --> 03:16:02,290
Gatto, you are fifty-four
yards from the indicated point.

2057
03:16:03,620 --> 03:16:05,900
Gatto, you are ten...

2058
03:16:06,020 --> 03:16:09,490
Gatto, the indicated point is on your right.

2059
03:16:09,700 --> 03:16:13,690
Gatto, you have moved ten yards
away from the indicated point.

2060
03:16:14,380 --> 03:16:18,370
Gatto, you have moved fifty-four yards
away from the indicated point.

2061
03:16:30,020 --> 03:16:34,010
Gatto, you have moved one hundred ten
yards away from the indicated point.

2062
03:16:42,420 --> 03:16:46,490
Gatto, you are fifty-four
yards from the indicated point.

2063
03:16:49,620 --> 03:16:53,530
Gatto, you are ten yards
from the indicated point.

2064
03:16:56,140 --> 03:16:59,610
Gatto, the indicated point is on your right.

2065
03:17:03,020 --> 03:17:06,490
Gatto, the indicated point is on your right.

2066
03:17:10,020 --> 03:17:13,490
Gatto, the indicated point is on your right.

2067
03:17:21,980 --> 03:17:23,530
Left, not right.

2068
03:18:10,780 --> 03:18:11,740
Stop!

2069
03:18:42,500 --> 03:18:44,810
I will ask you to leave.
You can't be here.

2070
03:18:45,020 --> 03:18:46,530
They sent me from the Institute.

2071
03:18:46,860 --> 03:18:47,830
I'm Gatto.

2072
03:18:48,190 --> 03:18:49,730
I've come to investigate
the phenomenon.

2073
03:18:57,020 --> 03:18:59,690
I will ask you to leave.
You can't be here.

2074
03:19:00,760 --> 03:19:04,940
I've just told you they specifically sent me
from the Institute to imestigate the phenomenon.

2075
03:19:05,060 --> 03:19:06,260
I am Professor Gatto.

2076
03:19:06,380 --> 03:19:07,690
Nobody can come in here.

2077
03:19:08,820 --> 03:19:12,450
Let's see... You probably work
for the Foundation, right?

2078
03:19:13,790 --> 03:19:15,980
I don't need to give
explanations to any one.

2079
03:19:16,100 --> 03:19:17,730
You work for the Foundation,

2080
03:19:18,140 --> 03:19:19,850
you work for Guasco.

2081
03:19:20,100 --> 03:19:22,490
You are from Guasco's team.
Is that right?

2082
03:19:23,420 --> 03:19:24,130
Yes.

2083
03:19:24,660 --> 03:19:26,490
And Guasco told you not to let me in.

2084
03:19:26,660 --> 03:19:28,770
He told me not to let anyone in.

2085
03:19:29,780 --> 03:19:31,170
Call Guasco.

2086
03:19:31,500 --> 03:19:33,540
Tell him the Professor Gatto is here.

2087
03:19:33,660 --> 03:19:36,210
He will tell you to let me in.
Do it now, please.

2088
03:19:36,420 --> 03:19:38,290
You don't tell me what to do.

2089
03:19:38,410 --> 03:19:39,310
Number one:

2090
03:19:39,860 --> 03:19:41,250
we are not on familiar terms.

2091
03:19:41,820 --> 03:19:42,570
Number two:

2092
03:19:42,980 --> 03:19:44,610
I do tell you what to do.

2093
03:19:45,160 --> 03:19:47,150
Unless you take responsibility
for a serious conflict

2094
03:19:47,270 --> 03:19:50,470
between the Institute and
the Foundation, you do as I told you.

2095
03:19:51,010 --> 03:19:53,850
I've just travelled 5,000 miles
to study the phenomenon.

2096
03:19:54,310 --> 03:19:56,340
And I'm not going until I
study the phenomenon.

2097
03:19:56,460 --> 03:19:57,470
Do we agree?

2098
03:20:09,610 --> 03:20:10,530
Yes, Cuaho.

2099
03:20:13,220 --> 03:20:14,300
Mr. Gatto has arrived.

2100
03:20:27,860 --> 03:20:28,930
Fine, go in...

2101
03:20:29,380 --> 03:20:30,250
Gatto.

2102
03:20:48,260 --> 03:20:49,090
Gatto...

2103
03:20:49,340 --> 03:20:50,290
How are vou, Guasco...

2104
03:20:50,460 --> 03:20:52,250
You had a difficult entrance?

2105
03:20:52,510 --> 03:20:53,700
Cachito is a tough one.

2106
03:20:53,820 --> 03:20:55,130
He doesn't let anyone in.

2107
03:20:55,940 --> 03:20:57,970
How are you, man, long time?

2108
03:20:58,140 --> 03:20:59,840
We have a nice mess here, don't we?

2109
03:20:59,960 --> 03:21:01,810
Look, Guasco.
I want to be honest with you.

2110
03:21:01,980 --> 03:21:02,930
Honest and direct.

2111
03:21:03,660 --> 03:21:05,340
- I don't like you.
- Okay.

2112
03:21:05,460 --> 03:21:08,260
I don't like you. I don't think
you are trustworthy. I don't like you.

2113
03:21:08,380 --> 03:21:09,490
Okay, okay.

2114
03:21:09,610 --> 03:21:13,210
So if we are to work together, let it be
in the most respectful way possible.

2115
03:21:13,540 --> 03:21:15,270
Respectful, comfortable and clear.

2116
03:21:15,390 --> 03:21:16,820
Okay, man, okay.

2117
03:21:16,840 --> 03:21:17,910
Let me give you an example:

2118
03:21:18,100 --> 03:21:19,060
drop the "man".

2119
03:21:19,780 --> 03:21:21,330
- Okay...
- I'm not "man"...

2120
03:21:21,580 --> 03:21:23,260
- Gatto.
- Gattoman?

2121
03:21:23,380 --> 03:21:25,490
- Guasco, I mean it...
- I'm messing with you...

2122
03:21:26,100 --> 03:21:28,250
Come, let me introduce you
to the guys... James!

2123
03:21:29,340 --> 03:21:32,420
This is Gatto, an old friend.
This one was sent from above.

2124
03:21:32,540 --> 03:21:35,370
- The name's Nash.
- James Nash?

2125
03:21:35,670 --> 03:21:37,050
The famous James Nash?

2126
03:21:37,170 --> 03:21:39,310
- That's correct.
- I am a huge fan of your work.

2127
03:21:40,040 --> 03:21:40,940
Hello.

2128
03:21:41,060 --> 03:21:44,020
- Engineer Rojo, another friend.
- Of course... It 's an honour.

2129
03:21:44,140 --> 03:21:45,730
- Gatto.
- Rodolfo Rojo.

2130
03:21:46,180 --> 03:21:48,050
Where's Pichuco. Pichuco!

2131
03:21:48,170 --> 03:21:49,720
- I'm coming.
- Here he comes.

2132
03:21:49,840 --> 03:21:51,300
Very well, what do
we have here?

2133
03:21:51,420 --> 03:21:53,630
Well, we're working on it...
There are a few things.

2134
03:21:53,750 --> 03:21:56,170
- There's nothing so far.
- Who discovered the phenomenon?

2135
03:21:56,540 --> 03:21:58,950
A guy from town who
rents the field next by.

2136
03:21:59,070 --> 03:22:00,570
He saw it and
called on the radio.

2137
03:22:01,030 --> 03:22:03,210
You can only go in on horseback;
there's no road.

2138
03:22:03,670 --> 03:22:04,880
Epiphenomena?

2139
03:22:05,140 --> 03:22:07,610
No... Just hearsay.
Nothing solid.

2140
03:22:08,740 --> 03:22:10,220
Where's the nearest sensor?

2141
03:22:11,080 --> 03:22:13,520
Coronel Velázquez.
120 miles away.

2142
03:22:13,640 --> 03:22:15,490
- Pretty far.
- Too far.

2143
03:22:15,610 --> 03:22:17,310
It won't show anything.

2144
03:22:18,190 --> 03:22:19,700
The specimen, what species is it?

2145
03:22:19,820 --> 03:22:21,450
Eucaliptus Obliqua.

2146
03:22:22,150 --> 03:22:23,260
The report said an oak.

2147
03:22:23,380 --> 03:22:26,610
Well, you know they tell you one thing,
then it turns out to be another...

2148
03:22:26,730 --> 03:22:28,550
- It's a eucalyptus.
- Look!

2149
03:22:29,300 --> 03:22:30,420
You know Pichuco, don't you?

2150
03:22:30,540 --> 03:22:31,500
Yes.

2151
03:22:31,620 --> 03:22:32,420
How are you. Gatto?

2152
03:22:32,540 --> 03:22:33,370
Fine...

2153
03:22:34,650 --> 03:22:35,860
You look well, Gatto.

2154
03:22:35,880 --> 03:22:38,070
- How was it in Washington DC?
- You, did you do the measurements?

2155
03:22:38,090 --> 03:22:39,890
- Ah, I did.
- And?

2156
03:22:40,380 --> 03:22:41,380
Everything fine...

2157
03:22:41,980 --> 03:22:43,260
Everything fine...

2158
03:22:43,380 --> 03:22:45,170
The Engineer has the values...

2159
03:22:45,620 --> 03:22:47,260
And would you be
so kind as to tell me?

2160
03:22:47,380 --> 03:22:49,370
Which ones do you need?
There are a lot of values...

2161
03:22:49,540 --> 03:22:51,250
Well, we could start
with the radiation values...

2162
03:22:51,420 --> 03:22:52,330
Pretty high...

2163
03:22:52,620 --> 03:22:53,730
What do you call high?

2164
03:22:54,020 --> 03:22:56,500
Above the curve.
Almost reaching the second one.

2165
03:22:56,620 --> 03:22:58,010
And no ectoplasmic residue.

2166
03:22:58,130 --> 03:23:00,110
No. It's not a poltergeist incident.

2167
03:23:00,230 --> 03:23:02,330
- That we are certain of.
- How can you be so sure?

2168
03:23:02,570 --> 03:23:04,120
Once you see it, you'll get it.

2169
03:23:04,380 --> 03:23:06,220
We are really sure, Gatto.

2170
03:23:06,340 --> 03:23:07,410
And how was it filed?

2171
03:23:07,540 --> 03:23:10,020
"Thaumaturgic incident of imprecise...

2172
03:23:10,140 --> 03:23:11,370
...or unknown nature".

2173
03:23:11,490 --> 03:23:13,020
- T.I.I.
- T.I.I.

2174
03:23:13,140 --> 03:23:14,110
E.T.

2175
03:23:16,220 --> 03:23:17,360
Let's see, fellows.

2176
03:23:18,380 --> 03:23:21,770
Based on what you are describing
it seems we are facing a Code Three.

2177
03:23:21,920 --> 03:23:24,870
If this is a Code Three, we need to
report it immediately to the Institute,

2178
03:23:24,890 --> 03:23:26,860
because it's the Institute
that must give...

2179
03:23:26,980 --> 03:23:29,380
Easy. It's not a Code Three, Gatto.

2180
03:23:29,500 --> 03:23:32,810
- It's not a Code Three, Gatto.
- Not even close to a Code Three.

2181
03:23:34,970 --> 03:23:36,910
You've never seen
one like this, Gatto.

2182
03:23:37,660 --> 03:23:38,890
Take me to see it.

2183
03:23:39,140 --> 03:23:41,930
You can go, go ahead.
It's one of those eucalyptus.

2184
03:23:43,220 --> 03:23:44,050
Good luck.

2185
03:23:44,700 --> 03:23:45,850
Gatto.

2186
03:23:49,570 --> 03:23:53,930
A Code Three!
Poor Gatto...

2187
03:24:50,060 --> 03:24:53,860
TO BE CONTINUED